March 25, 2022<March 25, 2022 Atwood Magazine’s Weekly Roundup: March 25, 2022 by Atwood Magazine Staff
March 24, 2022<March 24, 2022 Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer” by Mitch Mosk
March 24, 2022<March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry by Guest Writer
March 23, 2022<March 23, 2022 Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy by Mitch Mosk
March 22, 2022<March 22, 2022 A Casual Ramble: Freaking Out Before, At, and By Treefort 2022 by Ben Niesen
March 22, 2022<June 17, 2023 Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth” by Oliver Crook
March 18, 2022<March 18, 2022 Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry by Guest Writer
March 18, 2022<March 18, 2022 Atwood Magazine’s Weekly Roundup: Women’s History Month 2022 by Atwood Magazine Staff
March 18, 2022<March 18, 2022 Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One” by Mitch Mosk
March 17, 2022<March 17, 2022 Today’s Song: Rochester’s Danielle Ponder Channels Resilience & Renewal in Soul-Stirring “So Long” by Mitch Mosk
March 16, 2022<September 29, 2022 Editor’s Picks 58: Rachel Chinouriri, Shannen James, merci, mercy, riela, mxmtoon, & Jenny Berkel by Mitch Mosk
March 16, 2022<March 16, 2022 “They Sold You Away, and They Sold Me Away”: Singer/Songwriter Amber Lewis’ Hauntingly Beautiful Love Letter, “Clotel” by Mitch Mosk
March 16, 2022<March 16, 2022 Essay: Singer/Songwriter Liddy Clark on Women’s History Month by Guest Writer
March 15, 2022<March 15, 2022 Today’s Song: Giift’s Tenderly Acoustic Debut Single “Fed Up” Reckons with Vulnerability & Intimacy by Mitch Mosk
March 14, 2022<March 14, 2022 “You Can Keep Your Seat at The Table”: Lou Ridley’s Love Letter to the Real Power by Guest Writer
For the Love of Music
For the Love of Music
