March 1, 2022<March 1, 2022 Today’s Song: Esbie Fonte Conveys Intense Heartbreak in Her Wistful “Ducky” by Chloe Robinson
February 28, 2022<February 28, 2022 Today’s Song: Dust in the Sunlight Shine with “Former Lives,” an Anchor of Escape & Rediscovery by Mitch Mosk
February 25, 2022<February 25, 2022 Atwood Magazine’s Weekly Roundup: February 25, 2022 by Atwood Magazine Staff
February 25, 2022<February 25, 2022 Today’s Song: June Road “Seize the Day” on Captivating, Spirited Indie Folk Debut by Mitch Mosk
February 23, 2022<February 23, 2022 Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden” by Mitch Mosk
February 21, 2022<February 17, 2022 Today’s Song: Davey Harris’ Moody & Introspective Debut Single “Self Saboteur” by Chloe Robinson
February 18, 2022<February 18, 2022 Atwood Magazine’s Weekly Roundup: Black History Month 2022 by Atwood Magazine Staff
February 18, 2022<February 18, 2022 Today’s Song: JEVERSON Embraces Life’s Good Times on Beachy, Sun-Soaked “Somethin’ in the Water” by Mitch Mosk
February 17, 2022<February 17, 2022 Today’s Song: BADBADNOTGOOD Remind Us Why We Love Them on “Beside April” by Adam Davidson
February 16, 2022<February 16, 2022 Coventry’s The Last Broadcast Debut with Stirring “Daisy,” a Beautifully Vulnerable Song of Trauma, Forgiveness, & Hope by Mitch Mosk
February 15, 2022<February 15, 2022 A Casual Ramble: Is ‘Dawn FM’ an Apogee or a Bookend? by Ben Niesen
February 14, 2022<February 14, 2022 Haunted Summer Tribute Daniel Johnston with Heartbreaking Valentine’s Cover “You Put My Love Out the Door” by Beau Hayhoe
February 11, 2022<February 11, 2022 Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop by Mitch Mosk
February 11, 2022<February 11, 2022 Atwood Magazine’s Weekly Roundup: February 11, 2022 by Atwood Magazine Staff
February 9, 2022<February 9, 2022 Premiere: Anna Sun Hits Like a Train on “What a Shame” by Ben Niesen
For the Love of Music
For the Love of Music
