March 28, 2023<April 30, 2023 Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce by Mitch Mosk
March 28, 2023<April 30, 2023 “The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month by Guest Writer
March 27, 2023<April 30, 2023 Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire by Rachel Leong
March 24, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 24, 2023 by Atwood Magazine Staff
March 24, 2023<April 30, 2023 “The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month by Guest Writer
March 24, 2023<April 30, 2023 Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects” by Julius Robinson
March 23, 2023<April 30, 2023 Today’s Song: Shayla McDaniel’s Invigorating “Awake” Is a Spirited & Rousing Ode to Sleep by Mitch Mosk
March 23, 2023<March 29, 2023 Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna! by Mitch Mosk
March 23, 2023<April 30, 2023 “Women in Music”: An Essay by Brina Kabler for Women’s History Month by Guest Writer
March 22, 2023<April 30, 2023 “I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month by Guest Writer
March 22, 2023<January 30, 2024 Today’s Song: The Japanese House Rewrites History with New Single “Boyhood” by Nasim Elyasi
March 21, 2023<April 30, 2023 Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it” by Brianna Corrine
March 20, 2023<April 30, 2023 “I’m not going to sleep with you”: An Essay by Ollella for Women’s History Month by Guest Writer
March 20, 2023<April 30, 2023 Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus by Claire Meyer
March 17, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 17, 2023 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
