Features
Interview with Katie Von Schleicher: Turning a Creative Wheel into a New Record
Atwood Magazine’s Weekly Roundup: May 22, 2020
Neon Trees Embrace the Crazy with Their Irresistible “New Best Friend”
His Head, His Heart, and a Fresh Start: An Interview with Josiah Johnson
Human Memory, Human Contact, and Releasing a Debut Album During Lockdown: An Interview with The Howl & The Hum
Our Take: The 1975’s Epic ‘Notes on a Conditional Form’ Is an Odyssey of Sound & Substance
Editor’s Picks: May 21, 2020
Review: Orpine Inject Duality & Depth into Debut Album ‘Grown Ungrown’
Feature: Emily Keener’s Stunning & Stirring Sophomore Album ‘I Do Not Have to Be Good’
Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve
Feature: altopalo’s Cinematic, Tender, & Stunning Sophomore Album ‘farawayfromeveryoneyouknow’
Atwood Magazine’s Weekly Roundup: May 15, 2020
Feature: Charlotte OC’s ‘Oh the Agony, Oh the Ecstasy’ EP Is a Passionate, Soulful Surrender
