June 6, 2019<June 6, 2019 Interview: Reviving Countrypolitan Music with John Paul White’s ‘The Hurting Kind’ by Frankie Rose
June 6, 2019<June 6, 2019 Premiere: Indulgent As Ever, WESLEE Return with Irresistible “London Love” by Mitch Mosk
June 5, 2019<June 5, 2019 Interview: Deanna Petcoff Channels Angst & Insecurity into Third Single “Stage Lights” by Mitch Mosk
June 5, 2019<January 2, 2020 Feature: Sleeping At Last Reflects Upon ‘Atlas II’, Innate Human Characteristics, and Personality Types by Guest Writer
June 3, 2019<June 3, 2019 Music and Art as a Coping Mechanism for Mental Health: A Conversation with Royal Canoe by Jesse Herb
May 31, 2019<May 31, 2019 First Look: Great Good Fine Ok and Transviolet are Transcendent with “Gone” by Caitlin Ison
May 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens by Atwood Magazine Staff
May 28, 2019<May 28, 2019 Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them by Oliver Crook
May 24, 2019<May 24, 2019 Interview: Broken Back’s Dire “Wake Up” Call Sparks Life Anew by Mitch Mosk
May 23, 2019<May 23, 2019 Runnin’ Towards the Light: A Conversation with Dan Campbell by James Crowley
May 22, 2019<May 22, 2019 Feature: Band of Skulls Have a New Sheen, but the Same Good Heart by Danny Vagnoni
May 17, 2019<May 18, 2019 Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between by Caitlin Ison
May 15, 2019<May 15, 2019 ‘Divinely Uninspired’ and Beautifully Aching: An Interview with Lewis Capaldi by Luke Pettican
For the Love of Music
For the Love of Music
