June 13, 2019<June 14, 2019 Interview: Foxygen Don’t Give a Fuck Anymore, and That’s Quite Alright by Nick Baron
June 13, 2019<June 13, 2019 Premiere: County Line Runner’s New Single “Saw You in a Dream” Taps into an Ephemeral Magic by Mitch Mosk
June 12, 2019<July 3, 2019 EP Premiere: Augustine Debuts with Effervescent, Cinematic ‘Wishful Thinking’ by Mitch Mosk
June 10, 2019<June 10, 2019 A Dream Becoming a Reality: A Conversation with Christian French by Kelsey Fitzgerald
June 6, 2019<June 6, 2019 Interview: Reviving Countrypolitan Music with John Paul White’s ‘The Hurting Kind’ by Frankie Rose
June 6, 2019<June 6, 2019 Premiere: Indulgent As Ever, WESLEE Return with Irresistible “London Love” by Mitch Mosk
June 5, 2019<June 5, 2019 Interview: Deanna Petcoff Channels Angst & Insecurity into Third Single “Stage Lights” by Mitch Mosk
June 5, 2019<January 2, 2020 Feature: Sleeping At Last Reflects Upon ‘Atlas II’, Innate Human Characteristics, and Personality Types by Guest Writer
June 3, 2019<June 3, 2019 Music and Art as a Coping Mechanism for Mental Health: A Conversation with Royal Canoe by Jesse Herb
May 31, 2019<May 31, 2019 First Look: Great Good Fine Ok and Transviolet are Transcendent with “Gone” by Caitlin Ison
May 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens by Atwood Magazine Staff
May 28, 2019<May 28, 2019 Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them by Oliver Crook
May 24, 2019<May 24, 2019 Interview: Broken Back’s Dire “Wake Up” Call Sparks Life Anew by Mitch Mosk
May 23, 2019<May 23, 2019 Runnin’ Towards the Light: A Conversation with Dan Campbell by James Crowley
For the Love of Music
For the Love of Music
