June 1, 2020<May 30, 2020 Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed by Josh Weiner
May 30, 2020<February 29, 2024 Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame by Josh Weiner
May 29, 2020<March 2, 2023 Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’ by Alex Killian
May 29, 2020<May 29, 2020 ‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica by Ben Niesen
May 29, 2020<August 23, 2020 Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown by Mitch Mosk
May 28, 2020<May 29, 2020 Interview with Mae Muller: London’s Emerging Star Talks New Music & Creative Growth by Lexi Lane
May 26, 2020<May 26, 2020 Interview: Lemaitre’s Sweeping ‘JGM’ EP Is a Moving Tribute & Celebration of Life by Mitch Mosk
May 26, 2020<January 27, 2023 Interview with Coolhand Jax: A New Warmth into the Music Scene by Adrian Vargas
May 26, 2020<May 26, 2020 Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting by Josh Weiner
May 26, 2020<May 26, 2020 Premiere: Seattle’s HARLEY Illustrate Navigating Heartsickness on “HYPNOS” by Maggie McHale
May 26, 2020<May 25, 2020 Interview with Party Nails: Nightlife, Sobriety, New Music, & More by Chloe Robinson
May 25, 2020<May 25, 2020 Interview with Katie Von Schleicher: Turning a Creative Wheel into a New Record by Lexi Lane
May 22, 2020<August 23, 2020 His Head, His Heart, and a Fresh Start: An Interview with Josiah Johnson by Mitch Mosk
May 22, 2020<March 16, 2021 Human Memory, Human Contact, and Releasing a Debut Album During Lockdown: An Interview with The Howl & The Hum by Bethan Harper
May 20, 2020<May 20, 2020 Interview: Shoegaze Duo The Know on Their Evocative & Intimate Debut EP ‘wearetheknow’ by Chloe Robinson
For the Love of Music
For the Love of Music
