December 10, 2025<December 10, 2025 “I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’ by Mitch Mosk
December 9, 2025<December 13, 2025 “I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’ by Mitch Mosk
December 9, 2025<December 9, 2025 “I Told You What I Wanted to Say”: Dollpile’s “Fake Flowers” Is a Cathartic Fuzz Folk Exhale of Exhaustion, Memory, and Emotional Unraveling by Mitch Mosk
December 8, 2025<December 9, 2025 Artist to Watch: London’s Reem Mitten Is Turning Feelings into Fantasies With a Soul-Stirring Voice and Songs That Ache From the Inside Out by Mitch Mosk
December 8, 2025<December 8, 2025 From the Dancefloor to the Deep End: Arnault Hardy Enters His Solo Era with “One After Another” by Nicolle Knapová
December 8, 2025<December 8, 2025 “I want to take you away”: Jade Street & Apple Martin Find Their Orbit on “Satellites,” an Achingly Intimate Reverie of Longing, Distance, & Restraint by Mitch Mosk
December 5, 2025<December 5, 2025 “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream by Aileen Goos
December 4, 2025<December 4, 2025 “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone by Mitch Mosk
December 4, 2025<December 4, 2025 “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing by Kelly McCafferty Dorogy
December 3, 2025<December 3, 2025 “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ by Mitch Mosk
December 3, 2025<December 3, 2025 “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie by Mitch Mosk
December 3, 2025<December 18, 2025 “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ by Mitch Mosk
December 2, 2025<December 2, 2025 “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ by Mitch Mosk
December 2, 2025<December 2, 2025 Interview with the Urban Renewal Project: An LA-Based Big Band Blending Jazz, Hip-Hop, Commentary, & More by Josh Weiner
December 2, 2025<December 2, 2025 Track-by-Track: The Quarantined Confront Trauma & Survival on ‘Aversion to Normalcy’ by Joe Beer
For the Love of Music
For the Love of Music
