October 11, 2024<October 11, 2024 “Heaven aimed gun then a blank shot”: Elke’s Kayla Graninger Unpacks Her Visceral Fever Dream, “Hide in Heaven” by Mitch Mosk
October 11, 2024<October 11, 2024 “Complex, Honest, & Mercurial”: Pillow Fite Unpack Their Unapologetic Debut Album ‘Hard Feelings, Soft Promises’ by Mitch Mosk
October 11, 2024<October 11, 2024 “Joy, Death, and the Other Stuff”: David C Clements Answers Life’s Big Questions in ‘The Garden’ by Mitch Mosk
October 9, 2024<October 13, 2024 “It’s coming home to myself”: James Bay on Achieving True Musical Freedom With His Fourth Album ‘Changes All the Time’ by Mitch Mosk
October 8, 2024<October 8, 2024 Interview: Melbourne’s Folk Bitch Trio Emerge With an Unforgettable Name and a Beautiful Sound by Mitch Mosk
October 8, 2024<October 15, 2024 Interview: The Voidz Discuss Method & Madness on Their Latest Record, ‘Like All Before You’ by Nasim Elyasi
October 8, 2024<October 8, 2024 Interview: Ash Gordon Is Elevating the Stories of Drag Artists to the Surface With Her Boundary-Pushing Songwriting by Grace Holtzclaw
October 7, 2024<October 7, 2024 Interview: Royal She Hate Their Way into Our Hearts With “My Ex” by Chloe Robinson
October 7, 2024<November 2, 2024 “A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph by Mitch Mosk
October 4, 2024<October 4, 2024 Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’ by Mitch Mosk
October 4, 2024<October 4, 2024 “Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album by Mitch Mosk
October 4, 2024<October 4, 2024 “A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project by Isabella Le
October 4, 2024<October 4, 2024 Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’ by Minna Abdel-Gawad
October 3, 2024<October 3, 2024 Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece by Joe Beer
October 3, 2024<October 3, 2024 “A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’ by Aaron Childree
For the Love of Music
For the Love of Music
