July 24, 2020<July 24, 2020 Premiere: “Backseat Swinging” Proves to Be a Stellar Debut for Coolhand Jax by Adrian Vargas
July 22, 2020<July 22, 2020 Girl God Makes His War Beautiful with Singular & Stunning Debut EP by Mitch Mosk
July 22, 2020<July 22, 2020 EP Review: Peter Manos’ Lyrical and Lonesome EP ‘Do You Turn Red?’ by Mariel Fechik
July 21, 2020<July 21, 2020 Love & Heartbreak Coalesce in Sarah Barrios’ Pop-Perfect Debut ‘Letters I Never Sent’ EP by Mitch Mosk
July 21, 2020<July 21, 2020 Premiere: Marlana Emerges with Passion, Perspective, & Poise on Debut EP ‘At Least I Tried’ by Mitch Mosk
July 15, 2020<July 10, 2020 Premiere: Nashville’s Tedadore Debuts with the Fun, Sweet, & Restlessly Relatable “Cooped Up” by Mitch Mosk
July 9, 2020<July 6, 2020 Today’s Song: London’s PELA Bring Familiar Comfort on Debut Single “You Got Me” by Luke Pettican
July 9, 2020<July 9, 2020 Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest by Mitch Mosk
July 8, 2020<July 8, 2020 Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP by Mitch Mosk
July 3, 2020<July 3, 2020 Premiere: Austin Max Debuts with a Tender Heartache in “As Leaders Fail to Lead” by Mitch Mosk
July 3, 2020<July 3, 2020 Feature: London’s Maya Delilah Debuts with Sweet n’ Soulful EP ‘Oh Boy’ by Mitch Mosk
July 2, 2020<July 2, 2020 Premiere: JRM’s Stunning Debut Single Captures Life As a Black Man in “America” by Mitch Mosk
July 2, 2020<July 2, 2020 Artist to Watch: UK’s Charlotte Clark Astonishes with Debut Single “Disarray” by Luke Pettican
July 2, 2020<July 1, 2020 Review: Meadow Meadow’s “Bonzo” & “Fireworks” Make for a Spellbinding Introduction by Mitch Mosk
July 1, 2020<July 1, 2020 Editorial: Leah Capelle’s Debut ‘triptych’ & the Sacrilege of Dismissing Full Length Albums by Guest Writer
For the Love of Music
For the Love of Music
