July 13, 2018<July 13, 2018 Feature: Get Hyped on HANNIE’s Euphoric “Low Key” by Atwood Magazine Staff
July 10, 2018<August 9, 2018 Premiere: Fickle Friends Master Pop Passion & Intimate Depth in “Heartbroken (Acoustic)” ft. Amber Run by Mitch Mosk
July 9, 2018<July 9, 2018 Interview: Loom:ngs Dwell in Darkness with Seductive “Love Will Tear Us Apart” by Mitch Mosk
July 9, 2018<July 18, 2018 The Voice of Our Generation: An Interview with Sasha Sloan by Ethan Germann
July 3, 2018<July 3, 2018 EP Premiere: Estes Finds His Voice & Direction in Heartfelt Debut ‘July’ by Mitch Mosk
July 3, 2018<July 2, 2018 Today’s Song: Joseph Lawrence & The Garden Enthrall with Hauntingly Beautiful “Eclipse” by Luke Pettican
June 27, 2018<June 27, 2018 Feature: Embracing ‘Edge Markings’ & Planes on Paper’s Warm Folk Beauty by Mitch Mosk
June 25, 2018<June 25, 2018 Our Take: Intimate Storytelling with The Saxophones’ Ethereal Debut ‘Songs of The Saxophones’ by Adrian Vargas
June 22, 2018<June 22, 2018 Review: The Adolescent Energy of Charlotte Lawrence’s Debut EP ‘Young’ by Luke Pettican
June 19, 2018<June 19, 2018 Review: ‘Lush’ is Snail Mail’s Cinematic, Romantic Coming-of-Age Story by Nicole Almeida
June 15, 2018<June 15, 2018 Premiere: RYVOLI’s Breathtaking “Ulysses” Radiates Warm Light in the Dark by Mitch Mosk
June 14, 2018<June 14, 2018 Album Premiere: ‘Concentrate’ on The Happy Fits’ Energetic, Euphoric Debut by Mitch Mosk
June 14, 2018<June 14, 2018 Premiere: Ella’s Brother Excites & Astounds with “Weird Pop 79” by Luke Pettican
June 7, 2018<June 7, 2018 Interview with Sloppy Jane: The Excitement of Exhaustion and Strolling Through “Kitchen Store” by Carolyn Fasone
For the Love of Music
For the Love of Music
