May 7, 2019<May 10, 2019 Album Premiere: Lady Lark Lights Up the Night with ‘Permission’ by Mitch Mosk
May 7, 2019<May 7, 2019 Interview: Believe It or Not, SPINN Inject Sunshine into Therapeutic Indie Pop by Mitch Mosk
May 7, 2019<May 8, 2019 Interview: LANTA Astonishes with the Poignantly Touching “Worthy” by Luke Pettican
April 30, 2019<April 30, 2019 Premiere: Cosmo Gold’s Swirly, Cosmic Debut “Dark Matter” by Mariel Fechik
April 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Frankie Rose
April 19, 2019<April 18, 2019 Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer” by Meredith Nardino
April 18, 2019<April 18, 2019 Premiere: Roken Basks in Sweet Seclusion on Debut “Comfortable” by Mitch Mosk
April 16, 2019<April 16, 2019 EP Review: Love Is in the Air, and Damon Mitchell’s ‘Elise’ Catches Every Whiff by Carolyn Fasone
April 15, 2019<April 12, 2019 Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25” by Luke Pettican
April 12, 2019<March 2, 2025 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff
April 10, 2019<April 30, 2019 Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’ by Oliver Crook
For the Love of Music
For the Love of Music
