February 8, 2024<February 8, 2024 Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead by Olivia Martinez
February 7, 2024<February 7, 2024 “Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was by Lauren Turner
February 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
February 7, 2024<February 7, 2024 Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return by Aidan Moyer
February 7, 2024<February 7, 2024 “Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity by Mitch Mosk
February 7, 2024<February 7, 2024 “What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self by Kendall Graham
February 6, 2024<February 6, 2024 Today’s Song: Shoegaze Legends Ride Find New Light in the Everyday Haze With “Peace Sign” by Kevin Cost
February 6, 2024<February 6, 2024 “Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP by Mitch Mosk
February 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
7.7 February 6, 2024<February 6, 2024 Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’ by Josh Weiner
February 5, 2024<February 5, 2024 Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process by Kendall Graham
February 5, 2024<February 5, 2024 Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream by Mitch Mosk
February 5, 2024<February 5, 2024 Live: sombr Brings His Indie Rock Sound Home to Brooklyn’s Baby’s All Right by Blake McMillan
February 5, 2024<March 19, 2024 Music & Cities: U2’s ‘Achtung Baby’ Resonates from New York to México by David Buyze
February 5, 2024<February 5, 2024 Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music by Olivia Martinez
For the Love of Music
For the Love of Music
