September 22, 2023<September 22, 2023 Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion by Mitch Mosk
September 22, 2023<September 22, 2023 Atwood Magazine’s Weekly Roundup: September 22, 2023 by Atwood Magazine Staff
September 21, 2023<September 21, 2023 Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.” by Brianna Corrine
September 21, 2023<September 21, 2023 Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love by Mitch Mosk
September 21, 2023<September 21, 2023 Interview: Me Nd Adam Discuss Their Insightful New Album ‘American Drip, Pt. II’ by Chloe Robinson
September 21, 2023<September 21, 2023 Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back by Audrey Connelly
September 21, 2023<September 21, 2023 Premiere: Maiah Wynne’s Smile-Inducing “Drive Me Mad” Is a Ray of Folk-Pop Sunshine by Mitch Mosk
September 20, 2023<March 2, 2025 Interview: Didirri’s ‘Caught in the Act’ Is a Debut Full of Feeling, Healing, Intimacy & Intent by Mitch Mosk
September 20, 2023<September 20, 2023 Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering by Mitch Mosk
September 20, 2023<September 20, 2023 Interview: Natalie Wilson Searches for Meaning in Early Adulthood With Debut EP ‘Track Season’ by Miles Campbell
September 20, 2023<September 21, 2023 Premiere: Albert Newton’s Cinematic & Dreamy “Fell Off” Is a Radiant Reckoning with Change Off Debut Album by Mitch Mosk
September 20, 2023<September 20, 2023 “It’s noisy, it’s loud, it’s in your face”: How Movements’ Patrick Miranda Tackled Mental Illness, Stayed True to Himself, & Learned to Embrace the ‘RUCKUS!’ by Isabella Le
September 20, 2023<September 20, 2023 Podcast: Tunes & Tumblers Features Magnolia Park and a Passion Eater (ft. Tristan Torres) by Atwood Magazine Staff
September 19, 2023<September 19, 2023 Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning by Mitch Mosk
September 19, 2023<September 30, 2023 Interview: The Brook & The Bluff Chase Melancholic Joy on ‘Bluebeard,’ a Soulful, Swashbuckling Triumph by Mitch Mosk
For the Love of Music
For the Love of Music
