August 11, 2023<August 11, 2023 Atwood Magazine’s Weekly Roundup: August 11, 2023 by Atwood Magazine Staff
August 11, 2023<November 21, 2023 Interview: Flip a Coin for Love with BIZZY’s Two-Pack Single “Out Loud” & “I’d Never Tell You” by Lauren Hicks
August 11, 2023<August 11, 2023 Today’s Song: San Cisco Get Lost in the Moment & “Under the Light” by Mitch Mosk
August 10, 2023<March 2, 2025 Chicago’s Home Base for House Music: A Preview of ARC Music Festival 2023! by Nick Polak
August 10, 2023<August 10, 2023 Today’s Song: viisi’s Cold-Cutting “god damn!” Turns Warranted Exasperation into Infectious Pop by Julius Robinson
8.9 August 10, 2023<August 10, 2023 Our Take: YONAKA’s ‘Welcome to My House’ Finds Vindication in Reclaiming Power by Kendall Graham
August 10, 2023<August 10, 2023 Premiere: Paulina’s Achingly Intimate, Hopeful & Healing Debut EP, ‘Just Know, It’ll Be Okay’ by Mitch Mosk
August 10, 2023<August 10, 2023 Premiere: “Find a Love” in FEEL, Your New Favorite Rock Band by Mitch Mosk
August 10, 2023<August 10, 2023 Premiere: The Ache & Inner Longing of Cereus Bright’s “Chasing the Feeling” by Mitch Mosk
August 9, 2023<August 9, 2023 Feature: Noble Oak Embraces Inspiration & Catharsis on Intimate New Album, ‘When It Finds You’ by Mitch Mosk
August 9, 2023<August 9, 2023 Premiere: The Dandys Erupt in “Gums,” a Liberating, Visceral & Volatile Indie Rock Fever Dream by Mitch Mosk
August 9, 2023<August 9, 2023 Interview: Meet ZZ, A New Delhi Native Now Rockin’ the Mics in the States by Josh Weiner
8.6 August 9, 2023<August 9, 2023 Our Take: Paris Texas Rise to Their Moment on Debut Album ‘MID AIR’ by Leo Culp
August 9, 2023<August 9, 2023 Today’s Song: Anieszka’s Emotional Ascension in “Divine” by Lauren Hicks
For the Love of Music
For the Love of Music
