October 20, 2022<October 20, 2022 Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut by Mitch Mosk
October 20, 2022<October 20, 2022 Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’ by Michael Greco
October 20, 2022<October 23, 2022 Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’ by Jamie Kahn
October 20, 2022<October 20, 2022 Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window” by Mitch Mosk
October 19, 2022<October 19, 2022 Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP by Mitch Mosk
October 19, 2022<October 19, 2022 Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More by Mitch Mosk
October 18, 2022<March 11, 2023 Editor’s Picks 77: Wheelwright, Sam Austins, Morning Midnight, zzzahara, Mary Anne’s Polar Rig, & Lexi Jayde! by Mitch Mosk
October 18, 2022<October 18, 2022 Interview: LA Duo Ship Wrek Discuss Touring, Collaborations, and New EP ‘Metaphysical’ by Michael Greco
October 18, 2022<October 18, 2022 Premiere: Sohodolls Get the Last Word with Stunning “Letter to My Ex (Thank You, Goodbye)” by Mitch Mosk
October 17, 2022<January 12, 2023 Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’ by Mitch Mosk
October 17, 2022<March 30, 2024 Interview: Wild Pink’s John Ross Talks Gorgeous New LP ‘ILYSM,’ Beating Cancer, & the Frightening Realities of Touring by Beau Hayhoe
October 14, 2022<October 14, 2022 ‘bubblegum emo’: Sweden’s Tribe Friday Debut with Style, Drive, & Raw Passion by Mitch Mosk
October 14, 2022<June 15, 2023 Atwood Magazine’s Weekly Roundup: October 14, 2022 by Atwood Magazine Staff
October 14, 2022<March 11, 2023 Interview: Betty Who is Ready to Dance in a ‘BIG!’ Way by Audrey Steeves
October 13, 2022<October 13, 2022 “Nostalgic Ballroom Folk”: Hazlett Delves into His Hauntingly Hushed & Achingly Intimate ‘Oh Downhill’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
