November 22, 2022<November 22, 2022 “Room with a View”: Jackson Mico Milas Debuts His Cinematic, Stirring & Smoldering Album, ‘Blu Terra’ by Mitch Mosk
November 22, 2022<November 22, 2022 Today’s Song: Smut Blend Past & Present on Hazy, ‘90s-Tinged Rocker “Supersolar” by Beau Hayhoe
November 21, 2022<November 21, 2022 Review: Gold Panda’s ‘The Work’ Is a Glistening, Nervy Place Where Joy & Sadness Collide by Kevin Krein
November 21, 2022<November 21, 2022 Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade by Adam Davidson
November 21, 2022<November 21, 2022 Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs” by Frankie Rose
November 18, 2022<March 11, 2023 “The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’ by Mitch Mosk
November 18, 2022<November 18, 2022 Interview: With Head Held High, Neffy Confidently Loses Her Nerve by Sophie Severs
November 18, 2022<November 18, 2022 Atwood Magazine’s Weekly Roundup: November 18, 2022 by Atwood Magazine Staff
November 18, 2022<November 18, 2022 Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection by Frankie Rose
November 17, 2022<November 18, 2022 Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync by Mitch Mosk
November 17, 2022<November 17, 2022 Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why by Dimitra Gurduiala
November 17, 2022<November 17, 2022 From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life by Mitch Mosk
9.4 November 16, 2022<November 16, 2022 Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise by Sam Franzini
November 15, 2022<November 15, 2022 Making Space for Gratitude: How Christian Leave Navigates Life, Remaining a ‘Superstar’ All the While by Sophie Severs
November 15, 2022<November 15, 2022 Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me” by Chloe Robinson
For the Love of Music
For the Love of Music
