December 1, 2021<June 29, 2024 Roundtable Discussion: A Review of Adele’s ’30’ by Atwood Magazine Staff
December 1, 2021<December 1, 2021 Premiere: Chicago’s Maxwell Planes Smolders on “Gave My Everything” ft. Melanie Faye & Ric Wilson by Mitch Mosk
December 1, 2021<November 30, 2021 Hello Lightfoot’s Jessica Louise Dye Owns Her “Shame” in Moody Sophomore Single by Guest Writer
December 1, 2021<December 1, 2021 Premiere: Theodore Debuts Urgent, Hypnotic, & Cinematic Single “Man and His Tools” Off 4th Album ‘The Voyage’ by Mitch Mosk
November 30, 2021<December 1, 2021 “Positive, Specific, & Green”: Norway’s Kenneth Ishak Blooms in Dazzling ‘Native Tongue’ by Mitch Mosk
November 30, 2021<November 30, 2021 Today’s Song: Love Hits Like a Wrecking Ball in Francis Karel’s “I Don’t Like How Much I Like You” by Mitch Mosk
November 29, 2021<November 29, 2021 Interview: Chong the Nomad Follows Her Own Rhythm at Treefort 9 by Sophie Prettyman-Beauchamp
November 29, 2021<December 7, 2021 “Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album by Mitch Mosk
November 29, 2021<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Red (Taylor’s Version)’ by Atwood Magazine Staff
November 29, 2021<November 29, 2021 “It makes me feel alive”: Babe Club Reckon with Adulthood-Induced Depression in “That Feeling” by Mitch Mosk
November 24, 2021<November 29, 2021 Love’s a Drug: Momma’s “Medicine” Is a Grunge-Fueled Song of Intimate Addiction by Mitch Mosk
November 24, 2021<November 24, 2021 Live Review: Sam Fender Conquers London’s Alexandra Palace by Bethan Harper
November 24, 2021<February 26, 2022 “Reflective, Candid, Journey”: Ghanaian Rapper M.anifest Stuns, Stirs, & Soars on ‘Madina to the Universe’ by Mitch Mosk
November 24, 2021<November 22, 2021 Interview: San Francisco’s AIR APPARENT Discusses Ethereal “All By Yourself,” Dream Collaborations, & Horizons by Chloe Robinson
November 24, 2021<November 26, 2021 Premiere: B-Drop Worldwide Showcases Phantom Isle, The Habits, Roman Lewis, Danny Singh, and Friedberg by Mitch Mosk
For the Love of Music
For the Love of Music
