September 16, 2021<November 10, 2021 (Y)Our Guide to Treefort Music Fest 2021! by Atwood Magazine Staff
September 15, 2021<September 15, 2021 Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days” by Mitch Mosk
September 15, 2021<September 15, 2021 Premiere: Haley Johnsen Returns with Intimate & Enchanting “Goner,” a Song of Loss, Longing, & Hope by Mitch Mosk
September 15, 2021<September 15, 2021 Premiere: Casey Dubie’s Sweet “Limbo” Paints a World of Wonder & Suspense by Mitch Mosk
September 15, 2021<September 15, 2021 Today’s Song: London’s Tertia May Lights “The Fire” with Smoldering Hot & Soulful Passion by Mitch Mosk
September 14, 2021<April 1, 2024 “Dark, Emotive, & Timeless”: Naomi Kimpenu’s ‘Prelude’ EP Is a Striking, Stirring Entrance by Mitch Mosk
September 14, 2021<September 14, 2021 Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things” by Nasim Elyasi
September 14, 2021<September 14, 2021 Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021 by Oliver Crook
September 14, 2021<September 14, 2021 Interview: Glassio Discusses Pensive Sound, Thoughts on Perfection, and the Talents He Respects by Chloe Robinson
September 13, 2021<September 13, 2021 Today’s Song: Rett Madison’s Stunning “Emily” Is a Gut-Punch of Eruptive, Soulful Passion by Mitch Mosk
September 13, 2021<September 13, 2021 Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride by Josh Weiner
September 13, 2021<November 16, 2021 Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love by Mitch Mosk
September 13, 2021<September 15, 2021 “The Ridiculousness of Feelings”: A Conversation with Sloppy Jane by Nasim Elyasi
September 10, 2021<September 10, 2021 “Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’ by Mitch Mosk
September 10, 2021<September 10, 2021 Atwood Magazine’s Weekly Roundup: September 10, 2021 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
