February 9, 2021<February 9, 2021 “Respect”: ALONZO Dives into His Inspiring “Anthem That Black People Everywhere Can Sing” by Guest Writer
8 February 8, 2021<February 8, 2021 Our Take: Freddie Gibbs and the Alchemist’s ‘Alfredo’ Is a Masterclass in Confidence by Leo Culp
8 February 8, 2021<February 8, 2021 ‘Ongoing Dispute’: Aarhus Indie Rockers Yung Dive into Their Outstanding Sophomore Album by Mitch Mosk
9.4 February 8, 2021<February 8, 2021 Our Take: Waxahatchee’s ‘Saint Cloud’ Is a Glimmer of Goodness and Light by Lowndes Commander
February 8, 2021<February 8, 2021 ‘Hit or Miss,’ Always Swinging: A Conversation with Alexander Biggs by Lowndes Commander
February 8, 2021<February 11, 2021 Today’s Song: Planet Giza Get Things Going with “When the Moving Stops” by Josh Weiner
February 7, 2021<February 5, 2021 Today’s Song: lil old man Feels Reflective & Introspective on “i’m sad lol” by Nick Matthopoulos
February 6, 2021<February 5, 2021 Mother’s Cake’s “The Operator” Is a Furious Lashing Out Through Pounding Psychedelic Rock by Danny Vagnoni
February 5, 2021<February 5, 2021 This Just In: The Aces Keep Shining with Buoyant New Songs “Sleepy Eyes” & “Aren’t You” by Mitch Mosk
February 5, 2021<February 5, 2021 Today’s Song: emawk Takes the “HIGHROAD” in Spellbinding New Single by Mitch Mosk
February 5, 2021<February 5, 2021 Interview: Puma Blue and the Poignant Poetry of Debut Album ‘In Praise of Shadows’ by Dimitra Gurduiala
February 5, 2021<February 5, 2021 Review: Jeremy Zucker & Chelsea Cutler Team Up Again in Latest EP ‘brent ii’ by Alicia Bugallo
7.7 February 5, 2021<February 5, 2021 Our Take: Peace Chord’s Self-Titled Ethereal Debut Is One to Be Lauded by Adrian Vargas
February 5, 2021<February 7, 2021 Atwood Magazine’s Weekly Roundup: Black History Month 2021 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
