August 31, 2020<August 31, 2020 Premiere: Grant Pavol Faces Tension in “Words to Say” by Shayna Chabrow
August 31, 2020<August 31, 2020 Today’s Song: Elsa Birgitta Bekman Provides Snapshots Into Life’s Journey’s With “On My Way” by Adrian Vargas
August 31, 2020<August 31, 2020 This Just In: Alice Glass Opens Sermon 3 Recordings’ ‘Sermon 4’ with Raw “Nightmares” by Danny Vagnoni
August 28, 2020<September 3, 2020 Atwood Magazine’s Weekly Roundup: August 28, 2020 by Atwood Magazine Staff
August 28, 2020<August 28, 2020 “Dear Country Music”… A Conversation with Singer/Songwriter Sophie Sanders by Guest Writer
August 28, 2020<August 28, 2020 Brash, Fast, & Made to Last: The Happy Fits’ Soaring Sophomore Album ‘What Could Be Better’ by Mitch Mosk
August 28, 2020<August 28, 2020 Today’s Song: Half Stack Evoke the Sea Breeze in Sunny Cruiser “Laguna Seca” by Mitch Mosk
August 28, 2020<August 28, 2020 Premiere: Izzy Bizu Spellbinds with Compelling Acoustic Version of “Tough Pill” by Luke Pettican
August 28, 2020<August 28, 2020 Premiere: Caroline Jones Is In Love & Out of Control on Seductive Song “Intimacy” by Mitch Mosk
August 28, 2020<August 28, 2020 Old Sea Brigade & Luke Sital-Singh Light a Peaceful, Easy Fire in ‘All the Ways You Sing in the Dark’ EP by Mitch Mosk
August 27, 2020<August 27, 2020 Breaking the Record with Roan Yellowthorn, Part 29: Finding a Path by Guest Writer
August 27, 2020<August 27, 2020 Premiere: Melbourne’s Aydin Sayar Dwells in Heartache on “Missed Calls” ft. Montgomery by Mitch Mosk
August 27, 2020<August 27, 2020 Track-by-Track: Kate Bollinger’s Intimate Depths Come Alive in ‘A word becomes a sound’ EP by Mitch Mosk
August 27, 2020<August 27, 2020 “Strangely on the Nose”: The Accidental Prescience of Widowspeak’s ‘Plum’ by Tim Horwood
August 27, 2020<August 27, 2020 Premiere: Peter Sandberg & Henry Green’s “Pinetrees” Is an Intimate, Cinematic Upheaval by Mitch Mosk
For the Love of Music
For the Love of Music
