January 7, 2020<January 8, 2020 Premiere: Of the Wild Explode onto the Scene with Alt-Rock Verve in Debut EP ‘Banshee & Hope’ by Mitch Mosk
January 7, 2020<January 7, 2020 Manchester Orchestra & T Bone Burnett Team Up to Ask Tough Questions on “Xela” by Oliver Crook
8.7 January 7, 2020<December 15, 2020 Our Take: Akai Solo and Pink Siifu’s ‘Black Sand’ Is an Experimental Treasure by Ryan Feyre
January 6, 2020<January 6, 2020 Premiere: “Ready or Not,” Kid Nobody Are Coming in Hot on New 2020 Single by Mitch Mosk
January 6, 2020<February 6, 2020 Oh Wonder’s Heartfelt “Happy” Is a Beautiful Song of Moving On & Letting Go by Mitch Mosk
December 24, 2019<April 30, 2023 Podcast: Tunes & Tumblers Partake in Some Holiday Spirits by Anthony Kozlowski
December 24, 2019<December 24, 2019 Today’s Song: Anna of the North Wonders, “When R U Coming Home”? by Madison Vettorino
December 23, 2019<January 9, 2020 Atwood Magazine Presents Mistletones: 2019’s Best New Holiday Songs by Atwood Magazine Staff
December 23, 2019<December 19, 2019 Today’s Song: Nostalgia Meets Hustle Culture in Circa Waves’ “Jacqueline” by Nina Schaarschmidt
December 20, 2019<December 19, 2019 Today’s Song: Getting “Caught on Camera” with Cardiff’s The Rotanas by Hermione Kellow
December 19, 2019<June 29, 2024 Roundtable Discussion: A Review of Harry Styles’ ‘Fine Line’ by Atwood Magazine Staff
December 19, 2019<December 19, 2019 Today’s Song: Incantations of Modern Dread on Destroyer’s Newest Single “It Just Doesn’t Happen” by Adrian Vargas
December 18, 2019<February 6, 2020 Atwood Magazine’s Best Albums of the Decade by Atwood Magazine Staff