April 30, 2025<May 7, 2025 Interview: Bailey Spinn Can’t Wait to See You Cry Tears of Joy for ‘loser’ by Annaliese Baker
April 30, 2025<April 30, 2025 Interview: Singer Cooper Phillip Breathes Life into Voices and Discovers a Path to Empowerment by Chloe Robinson
April 29, 2025<April 29, 2025 Interview: The Walters Celebrate ‘Good Company’ with a Debut Album Rooted in Friendship, Resilience, & Rediscovery by Miranda Urbanczyk
April 28, 2025<April 28, 2025 Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’ by Juls Patterson
April 28, 2025<April 28, 2025 Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection by Mitch Mosk
April 28, 2025<April 27, 2025 Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life” by Adam Davidson
April 27, 2025<April 27, 2025 Today’s Song: YUNGBLUD’s “Lovesick Lullaby” Is a Brit-Rock Blitz by Danielle Holian
April 26, 2025<April 25, 2025 Lorde Invites Heartbreaking Praise in “What Was That” by Annaliese Baker
April 25, 2025<June 19, 2025 “Fully and Unadulteratedly Mine”: d4vd Reflects on Personal Evolution, the Art of Worldbuilding, and Beauty in Serendipitous Timing on ‘WITHERED’ by Isabella Le
April 25, 2025<April 26, 2025 Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self by Nasim Elyasi
April 25, 2025<April 25, 2025 Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection by Mitch Mosk
April 24, 2025<September 5, 2025 “I Was Trying to Be Loved”: Martha Wainwright Reflects on 20 Years of Music, Family, & Finding Herself by Nasim Elyasi
8.6 April 24, 2025<April 24, 2025 Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation by Danielle Holian