November 27, 2018<December 20, 2018 Premiere: Indulge in Holiday Cheer with The Sweetheart Deal’s “Jingle Bells” by Mitch Mosk
November 27, 2018<November 26, 2018 Premiere: Musically Maintaining a Feel-Good Outlook with Spud Cannon’s “Try For a While” by Frankie Rose
November 26, 2018<February 4, 2019 Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs” by Mitch Mosk
November 22, 2018<November 26, 2018 Atwood Magazine’s Thanksgiving Playlist: Warmth, Love, and Gratitude by Atwood Magazine Staff
November 21, 2018<November 22, 2018 Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen by Ethan Germann
November 21, 2018<November 21, 2018 EP Review: Nostalgic Beauty Floods Far Caspian’s Dreamy Debut ‘Between Days’ by Mitch Mosk
November 21, 2018<December 10, 2018 Matt Pond Gives Back in Breathtaking Led Zeppelin Cover “Thank You” by Mitch Mosk
November 21, 2018<January 17, 2019 EP Review: ‘Dressed Too Nice for a Jacket’ Introduces the Charming Maisie Peters to the World by Kelly McCafferty Dorogy
November 21, 2018<November 21, 2018 Review: Charles Bradley’s Black Velvet Is Authentic ’60s Soul for the 21st Century by James Crowley
November 20, 2018<November 20, 2018 Music You Should Know: The Horror Movie Ambience of Nicole Dollanganger by Frankie Rose
November 20, 2018<November 20, 2018 Harry Pane’s Intense “Heart’s Rhythm” Embraces Love with a Passion by Mitch Mosk
November 20, 2018<November 20, 2018 Review: Lil Peep’s ‘Come Over When You’re Sober, Pt. 2’ Is a Comforting Tribute by James Crowley
November 20, 2018<November 20, 2018 Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright by Meredith Nardino
November 20, 2018<November 21, 2018 Interview: Future Generations Dive into Their Fun, Sizzlin’ “Landscape” by Mitch Mosk
November 19, 2018<November 19, 2018 Feature: The Exits Usher Music Lovers into the High-Energy World of Rock n’ Roll by Sara Santora
For the Love of Music
For the Love of Music
