January 12, 2018<January 12, 2018 Atwood Magazine’s Weekly Roundup: January 12, 2018 by Atwood Magazine Staff
January 12, 2018<January 12, 2018 Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’ by Ethan Germann
January 12, 2018<January 24, 2018 Watts’ Weekend Picks: Anderson East, Boogie & More for Your Lifestyle by Watts
January 12, 2018<January 12, 2018 Today’s Song: “Turn” Perfectly Captures The Wombats’ Witty Lyricism by Matthew Tordoff
January 11, 2018<January 11, 2018 Today’s Song: Intimacy and Frustration in St. Vincent’s “New York” by James Crowley
January 11, 2018<January 11, 2018 Premiere: “Tired of Being Broke,” KILLEN’s Unapologetic Working Class Anthem by Mitch Mosk
January 11, 2018<January 11, 2018 From Hits to Heart: A Conversation with Emily Warren by Kelly Wynne
January 11, 2018<January 11, 2018 Our Take: ‘Tape #1′ is Some of Hoops’ Most Fuzzy, Lovely Lo-Fi by Sydney Sweeney
January 11, 2018<January 11, 2018 Premiere: Sparks Fade in Summer Fires’ Turbulent “Without a Word” by Mitch Mosk
January 11, 2018<January 11, 2018 Nostalgia Tracks: Vampire Weekend’s Religiously-Charged “Unbelievers” Makes Soul-Searching Fun by Sara Santora
January 10, 2018<January 11, 2018 Premiere: Quelle Rox’s Kaleidoscopic Debut “Blue Rhythm” by Kaitlyn Zorilla
January 10, 2018<January 10, 2018 Today’s Song: BØRNS Strikes Melancholy Chords on “I Don’t Want U Back” by Alex Killian
January 9, 2018<January 9, 2018 Live Premiere: Caroline Pennell’s Intimate, Heartwarming “Drive Me Home” by Mitch Mosk
For the Love of Music
For the Love of Music
