November 29, 2017<November 29, 2017 Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love” by Mitch Mosk
November 29, 2017<November 29, 2017 EP Premiere: Line & Circle’s ‘Vicious Folly’ Balances Raw Energy with Restless Emotion by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: The Catchy Critique of Cassandra Violet’s “Pretty” by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: The Hopeful Darkness of Clara Strauch’s “Islands” by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye by Mitch Mosk
November 29, 2017<December 11, 2017 Today’s Song: Flashback to Fast-Track Forward with Georgia Reed’s “The Fear” by Hannah Maire
November 28, 2017<November 28, 2017 Premiere: Surf the Pines Debut with Experience & Honesty in “The Runaround” by Christine Costello
November 28, 2017<November 28, 2017 Premiere: Carl Hauck’s Glowing “Refraction” Sparks a Warm Light by Mitch Mosk
November 28, 2017<November 28, 2017 Today’s Song: Camp Cope Expose the Closeted Misogyny of the Punk Scene in “The Opener” by James Crowley
November 28, 2017<December 11, 2017 Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up by Mitch Mosk
November 27, 2017<November 27, 2017 Premiere: Caroline Grace Is Raw & Exposed on Acoustic Pop Anthem “Cheers to the Night” by Mitch Mosk
November 27, 2017<November 27, 2017 Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort by Josh Weiner
November 27, 2017<November 29, 2017 Composition, Style, and “Something New”: A Conversation with Sulene by Kelly Wynne
November 24, 2017<November 27, 2017 Premiere: CAVERNS’ “Times Is Hard” Explodes with Raucous Energy by Mitch Mosk
November 24, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 24, 2017 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
