October 15, 2024<October 15, 2024 Today’s Song: High.’s “In a Hole” Is a Fever Dream of Gauzy, Glistening Grunge by Mitch Mosk
October 15, 2024<October 15, 2024 Premiere: Our Inner Voice Comes to Life in Caroline Strickland’s “Martha’s Calling,” a Song of Angst & Ache by Mitch Mosk
October 15, 2024<October 15, 2024 “We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound by Christine Buckley
October 15, 2024<October 15, 2024 Interview: William Hinson, an Ascending Beatles Historian & Prolific Musician, Unveils “Give It a Day (It’s Alright)” and Teases Upcoming Full-Length LP by Noah Wade
October 14, 2024<October 14, 2024 “You isolate and hibernate”: L.S. Dunes Return With “Fatal Deluxe,” a Tapestry of Supercharged Sonic Turmoil by Mitch Mosk
October 13, 2024<October 13, 2024 Today’s Song: Unleashing Our Inner Demons With Johnny Hunter’s Sleazy & Seductive “HOT MESS” by Mitch Mosk
October 11, 2024<October 11, 2024 Confident, Braggadocious, & Aspirational: Thutmose Finds ‘Heaven on Earth’ in His Seductive Afro House EP by Mitch Mosk
October 11, 2024<October 11, 2024 “Heaven aimed gun then a blank shot”: Elke’s Kayla Graninger Unpacks Her Visceral Fever Dream, “Hide in Heaven” by Mitch Mosk
October 11, 2024<October 11, 2024 “Complex, Honest, & Mercurial”: Pillow Fite Unpack Their Unapologetic Debut Album ‘Hard Feelings, Soft Promises’ by Mitch Mosk
October 11, 2024<October 11, 2024 “Joy, Death, and the Other Stuff”: David C Clements Answers Life’s Big Questions in ‘The Garden’ by Mitch Mosk
October 11, 2024<October 11, 2024 Live Review: Conan Gray’s Sold-Out MSG Show Was Credibly Progressive & Triumphant by Noah Wade
October 10, 2024<October 10, 2024 You’ll Believe a Man Can Fly: Christopher & Dana Reeve’s Love Story and Legacy Honored in ‘Super/Man’ by Aidan Moyer
October 10, 2024<October 10, 2024 Live Review: Asha Imuno Opens for BLK ODYSSY At LA’s Historic El Rey Theatre by Minna Abdel-Gawad
October 10, 2024<October 10, 2024 Review: LOEMA’s Debut EP ‘Flowers for No One’ Is an Emotional Journey into Heartbreak’s Deepest Corners by Guest Writer
October 10, 2024<October 10, 2024 “Does it make sense how I need it?”: Medium Build’s Aching Heart Races in “Triple Marathon,” an Intimate, Emotionally Charged Anthem by Mitch Mosk
For the Love of Music
For the Love of Music
