8.3 March 16, 2021<March 16, 2021 Our Take: King Gizzard’s Brilliant, Ostentatious Double Album ‘K.G.L.W.’ by Ben Niesen
March 16, 2021<March 16, 2021 “Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP by Mitch Mosk
March 12, 2021<March 12, 2021 Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’ by Josh Weiner
March 12, 2021<March 12, 2021 “Heartbreaking, Honest, Healing”: Tim Chadwick Goes Track-by-Track Through ‘Timothy’ EP by Mitch Mosk
March 12, 2021<March 12, 2021 Soul-Searching, Soul Sounds, & Refreshing Admissions of Struggle: Tom Grennan’s ‘Evering Road’ by Bethan Harper
March 11, 2021<March 11, 2021 “Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’ by Mitch Mosk
March 11, 2021<July 13, 2022 “Sentimental, Existential, & Vulnerable”: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’ by Mitch Mosk
March 10, 2021<March 10, 2021 “Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’ by Mitch Mosk
March 10, 2021<March 10, 2021 This Just In: Alt-Pop Empress LVRA Shines on New Single “Dead” by Dimitra Gurduiala
March 10, 2021<March 10, 2021 Review: How Allie X Started Showing Her True Colors in ‘Cape God’ by Dimitra Gurduiala
March 9, 2021<March 9, 2021 An Emotional Connection: George Glew Finds His Footing & Soars on Stirring ‘Gravity’ EP by Mitch Mosk
March 9, 2021<March 9, 2021 “Emotional, Wild, & Honest”: Lucy Spraggan Dives into Her Soaring 6th LP ‘Choices’ by Mitch Mosk
March 9, 2021<March 9, 2021 “A Celebration of the Darkness Within”: Mulay Dives into Her Alluring Debut EP ‘ANTRACYTE’ by Mitch Mosk
March 9, 2021<March 9, 2021 Review: Japanese Breakfast Is Back to Take on the World with “Be Sweet” by Dalia
March 5, 2021<March 5, 2021 The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance by Bethan Harper
For the Love of Music
For the Love of Music
