8.6 December 19, 2023<December 19, 2023 Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’ by Josh Weiner
December 18, 2023<December 18, 2023 Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’ by Mitch Mosk
December 8, 2023<December 12, 2023 Las Vegas Heroes The Killers Introduce ‘Rebel Diamonds’ With Striking New Single “Spirit” by Beau Hayhoe
December 7, 2023<December 7, 2023 EP Review: ‘Part II: Nightmares and Ice Cream’ Sees Palace at Their Most Vulnerable by Audrey Connelly
December 7, 2023<December 7, 2023 Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album by Laurent Chavannes
December 5, 2023<December 5, 2023 Live Review: Emei Delivers a Powerful & Penetrating Show in Los Angeles on The Cynical Tour by Chloe Robinson
December 4, 2023<December 4, 2023 Review: Taylor Swift’s ‘1989 (Taylor’s Version)’ Is a Swiftie’s Wildest Dreams by Guest Writer
November 29, 2023<November 29, 2023 Review: Psychedelic Porn Crumpets’ ‘Fronzoli’ Takes Listeners Through a Fast, Chaotic, and Maximal Kaleidoscope of Textured Sound by Guest Writer
8.2 November 27, 2023<November 27, 2023 Our Take: A New André 3000 Era Dawns Splendidly on ‘New Blue Sun’ by Josh Weiner
November 20, 2023<November 20, 2023 This Just In: The Staves Are “All Now,” Isn’t It Exciting?! by Mitch Mosk
November 20, 2023<November 20, 2023 Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change by Sofia Sar
8.3 November 16, 2023<November 16, 2023 Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever by Josh Weiner
10 November 16, 2023<November 16, 2023 Our Take: Holly Humberstone’s ‘Paint My Bedroom Black’ Is a Bold, Brutal, & Breathtaking Debut by Mitch Mosk
November 15, 2023<November 15, 2023 Houndmouth’s 1 Night 2 Night 3 Night Tour: Live in New Orleans by Audrey Connelly
November 15, 2023<January 6, 2024 Wenner’s Reckoning: Re-Framing the Rock & Roll Hall of Fame by Aidan Moyer
For the Love of Music
For the Love of Music
