August 15, 2024<August 14, 2024 Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again… by Frederick Bloy
August 14, 2024<August 14, 2024 The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams by Mitch Mosk
August 12, 2024<August 12, 2024 Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey by Aidan Moyer
August 12, 2024<August 12, 2024 One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos by Rachel Leong
August 12, 2024<August 12, 2024 Review: Osheaga 2024 Rocked, Sweated, and Belonged to Chappell Roan by Oliver Crook
August 12, 2024<August 12, 2024 Review: ‘Blur: To the End’ Is a Bad Doc About a Brilliant Band by Liv Goodbody
August 9, 2024<August 9, 2024 Live Review: Foo Fighters Remain Steadfast in Giving “Everything or Nothing at All” at Petco Park by Isabella Le
8 August 8, 2024<August 8, 2024 Our Take: The Playfully Explosive Musings of Remi Wolf and ‘Big Ideas’ by Frankie Rose
August 5, 2024<August 5, 2024 Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’ by Atwood Magazine Staff
6.7 August 2, 2024<August 2, 2024 Our Take: Cut! Maren Morris Slows It Down With New EP ‘Intermission,’ Exploring Identity Through Song by Emily Frances Algar
August 2, 2024<August 2, 2024 “I don’t know how to cry, but I sure know how to bleed”: MESSIAH! Cuts Deep on ‘the villain wins,’ a Warm, Introspective, & Thought-Provoking Triumph by Jake Fewx
August 1, 2024<August 12, 2024 Festival Preview: Osheaga 2024 Promises to Match the Scorching Montréal Heatwave by Oliver Crook
July 31, 2024<July 31, 2024 Live Review: K-Pop Superstars ATEEZ Light Up Arlington’s Globe Life Field on the Texas Stop of Their World Tour by Freya Rinaldi
July 30, 2024<July 30, 2024 Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City by Hannah Burns
July 24, 2024<July 24, 2024 Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’ by Jake Fewx
For the Love of Music
For the Love of Music
