Features, Interviews, MusicFebruary 13, 2024<February 16, 2024 Time and Space: The Process & Perspective Behind Danielle Durack’s ‘Escape Artist’ by Hannah Burns
Debut, Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 20, 2024 “It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’ by Mitch Mosk
Music, Reviews, This Just InFebruary 13, 2024<February 13, 2024 “I wish I knew what the end is”: Lizzy McAlpine Ushers in a New Era with Achingly Beautiful “Older” by Kelly McCafferty Dorogy
Music, PremieresFebruary 13, 2024<February 13, 2024 “I’m spilling out as you’re pouring in”: Wynona’s Romantic Anthem “Kiss Me, Kiss Me” Is an Irresistible Celebration of Love & Connection by Mitch Mosk
Debut, Music, PremieresFebruary 13, 2024<February 13, 2024 Coaxing, Intimate, & Warm: Melting Reeds Craft Mesmerizing Soundscapes on Debut EP ‘Sundown’ by Jake Fewx
Artist to Watch, Features, Lists, MusicFebruary 12, 2024<February 15, 2024 Atwood Magazine’s 2024 Artists to Watch by Atwood Magazine Staff
Debut, Interviews, MusicFebruary 12, 2024<February 12, 2024 “In the end, you just want to feel something”: New Politics’ Søren Hansen Debuts New Solo Project With “Dream That I Die” by Mitch Mosk
Music, Music Videos, PremieresFebruary 12, 2024<February 12, 2024 Premiere: Helenor’s New Single “Tattoo” Tells a Story of Spontaneous Permanence by Olivia Martinez
Columns, Music, Today's SongFebruary 12, 2024<February 11, 2024 “I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’ by Mitch Mosk
Columns, Music, Today's SongFebruary 11, 2024<February 11, 2024 “Yes I want to be desired”: Luminescent Confessions in M Field’s Sunny “Another Moon” by Kate Millar
Columns, Music, Today's SongFebruary 10, 2024<February 9, 2024 Today’s Song: Dhani Harrison Takes a Mystical Celtic Stroll on “I.C.U” by Aidan Moyer
Columns, Features, Music, Weekly RoundupFebruary 9, 2024<February 9, 2024 Atwood Magazine’s Weekly Roundup: February 9, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 9, 2024<February 9, 2024 “Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love by Mitch Mosk
Music, ReviewsFebruary 9, 2024<February 9, 2024 Madi Diaz Looks Both Within & to Others in the Effort to Find ‘Weird Faith’ by Kevin Krein
Features, Interviews, MusicFebruary 9, 2024<February 9, 2024 “I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
