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Jay Putty © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 30, 2024<May 30, 2024

“Grief Is the Price We Pay for the Love We Share”: An Essay by Jay Putty for Mental Health Awareness Month

by Guest Writer
I AM SOPHIA © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 30, 2024<May 30, 2024

“Finding Balance with Mental Health Amidst the Toxicity of Social Media”: An Essay by I AM SOPHIA for Mental Health Awareness Month

by Guest Writer
Eliza & The Delusionals © Nick Maguire
Columns, Interviews, Music, Today's SongMay 29, 2024<May 29, 2024

Interview: Eliza & the Delusionals’ Sun-Kissed, Love-Soaked “Falling for You” Teases a Bold New Era Ahead of Their Sophomore Album

by Mitch Mosk
Calder Allen © John Dougherty
Interviews, MusicMay 29, 2024<May 29, 2024

Tumbleweed Tunes for All the Old Souls: Calder Allen Talks New Album ‘Dreamers, Drifters, and Hiders’

by Lauren Hicks
Byland "Two Circles" © Dark Details
Music, Music Videos, PremieresMay 29, 2024<May 29, 2024

“You’re a chorus, I’m a verse”: Byland’s Hauntingly Beautiful Fever Dream “Two Circles” Aches With an Endless, Heavy Weight

by Mitch Mosk
JD Hinton © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 29, 2024<May 29, 2024

“Waco to Hollywood”: An Essay by JD Hinton for Mental Health Awareness Month

by Guest Writer
Abby Holliday "The Price" © Grace Holliday
Columns, Music, Today's SongMay 28, 2024<May 28, 2024

“All at once, I’m met with my past”: Abby Holliday Pays “The Price” in Her Cathartic, Achingly Intimate Anthem of Acceptance & Letting Go

by Mitch Mosk
The Howl & The Hum "Same Mistake Twice" © 2024
Columns, Music, Today's SongMay 27, 2024<May 25, 2024

The Howl & The Hum’s “Same Mistake Twice” Is a Dynamic, Dramatic, & Deeply Sentimental Return

by Mitch Mosk
Gracie Abrams © Abby Waisler
Columns, Music, Today's SongMay 26, 2024<May 24, 2024

Today’s Song: Gracie Abrams Dives Headfirst into Love on Her New Single “Risk”

by Aaron Childree
Peter Cat Recording Co. © 2024
Columns, Music, Today's SongMay 25, 2024<May 24, 2024

Peter Cat Recording Co.’s “People Never Change” Disguises Reflective Derision Under a Breezy Concoction of Disco-Inflected Experimentalism

by Liv Goodbody
Sinkane's Ahmed Gallab © Chloe Morales-Pazant
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory

by Mitch Mosk
Softcult © Kayleen Widdoes
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“Heaven isn’t what they tell you it is”: Softcult Showcase Their Authentic Activism & Songwriting Craftsmanship on ‘Heaven’ EP

by Olivia Martinez
Rebounder "Sunset Vision" © Phoenix Johnson
Columns, Music, Today's SongMay 24, 2024<May 24, 2024

Today’s Song: New York City’s Rebounder Return with a Fresh Wave of Buzz and a New EP via “Sunset Vision”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | May 24, 2024
Columns, Features, Music, Weekly RoundupMay 24, 2024<May 28, 2024

Atwood Magazine’s Weekly Roundup: May 24, 2024

by Atwood Magazine Staff
AJR's Jack Met © Isabella Le
Concerts, Music, ReviewsMay 24, 2024<May 24, 2024

Live Review: AJR Strike Ears, Eyes, & Hearts on the “Maybe Man” Tour in San Diego

by Isabella Le
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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