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Chappell Roan "Good Luck, Babe!" © Ryan Clemens
Music, Reviews, This Just InApril 24, 2024<May 5, 2025

Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims

by Dimitra Gurduiala
WRKHOUSE © Cara Kealy
Debut, Features, Interviews, Music, Track-by-TrackApril 23, 2024<April 23, 2024

“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie

by Mitch Mosk
BEL © SJ Spreng
Columns, Interviews, Music, Today's SongApril 23, 2024<April 23, 2024

“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem

by Mitch Mosk
Yvonne Ambree © Rosie Cohe
Music, Music Videos, PremieresApril 23, 2024<April 23, 2024

“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction

by Mitch Mosk
Red Rum Club © 2024
Features, Interviews, MusicApril 23, 2024<April 23, 2024

Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’

by Jake Fewx
ROREY © Erica Devin Snyder
Features, Interviews, MusicApril 23, 2024<April 23, 2024

“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change

by Chloe Robinson
Asha Imuno © Helene Kertanis
Concerts, Music, ReviewsApril 23, 2024<April 23, 2024

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm

by Minna Abdel-Gawad
Nick Folwarczny © William Wark
Columns, Music, Today's SongApril 22, 2024<April 22, 2024

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache

by Mitch Mosk
BANNERS © Marieke Macklon
Features, Interviews, Music, Track-by-TrackApril 22, 2024<April 22, 2024

‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming

by Lauren Turner
Only God Was Above Us - Vampire Weekend
Features, Music, Reviews, RoundtableApril 22, 2024<June 29, 2024

Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’

by Atwood Magazine Staff
Care - Golda May
Columns, Music, Today's SongApril 21, 2024<April 17, 2024

Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound

by Danielle Furman
Laci Kaye Booth © Acacia Evans
Columns, Music, Today's SongApril 20, 2024<April 17, 2024

“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | April 19, 2024
Columns, Features, Music, Weekly RoundupApril 19, 2024<April 22, 2024

Atwood Magazine’s Weekly Roundup: April 19, 2024

by Atwood Magazine Staff
Rex and the Rhythm © LOUD 87
Columns, Music, Today's SongApril 19, 2024<April 19, 2024

Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound

by Chloe Robinson
Asha Jefferies © Jax Oliver
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

by Mitch Mosk
Posts pagination
1 … 123 124 125 126 127 … 727

Brand New

  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

:: discover something new ::

Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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