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Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

by Mitch Mosk
The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

by Mitch Mosk
Lives Outgrown - Beth Gibbons
Debut, Music, ReviewsJune 3, 2024<June 3, 2024

Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’

by Kevin Krein
Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

by Emma Rayder
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongJune 3, 2024<June 3, 2024

Today’s Song: Shannon & The Clams Embrace the Surreal Nature of Time and Memory on “Dali’s Clock”

by Beau Hayhoe
Illuminati Hotties' Sarah Tudzin © Shervin Lainez
Columns, Music, Today's SongJune 2, 2024<May 30, 2024

Illuminati Hotties Explores the Dark Side of Running From Your Inner Voice on the Catchy “Can’t Be Still”

by Oliver Crook
Wishy © Alexa Viscius
Artist to Watch, Columns, Music, Today's SongJune 1, 2024<May 30, 2024

We’ve Got a Winner: Wishy Score Big With “Love on the Outside,” Their First Single Off Upcoming Debut Album ‘Triple Seven’

by Kevin Cost
Atwood Magazine's Weekly Roundup | May 31, 2024
Columns, Features, Music, Weekly RoundupMay 31, 2024<June 7, 2024

Atwood Magazine’s Weekly Roundup: May 31, 2024

by Atwood Magazine Staff
The Art of Getting Through - Imogen Clark
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

Track-by-Track: Imogen Clark’s ‘The Art of Getting Through’ Is a Rallying Cry for Survival & the Human Spirit

by Mitch Mosk
Niamh Regan 'Come As You Are' © Molly Keane
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

“I’m in it for the long haul, baby”: Niamh Regan Embraces a Spirit of Truth in ‘Come As You Are,’ a Breathtaking Record of Raw Self-Acceptance

by Mitch Mosk
Bo Baskoro © Shawnie Fortune
Music, PremieresMay 31, 2024<November 2, 2025

“Don’t be scared to feel too much”: Bo Baskoro’s “Give You Up” Is a Heartfelt Song About Showing Up for Our Loved Ones

by Mitch Mosk
Winnetka Bowling League © Paige Sara
Debut, Features, Interviews, MusicMay 31, 2024<May 31, 2024

Interview: Matthew Koma Talks Astrology, Context, & Winnetka Bowling League’s Debut Album, ‘Sha La La’

by Emma Rayder
Fiona Grey © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 31, 2024<May 31, 2024

“How One Night Changed Everything”: An Essay by Fiona Grey for Mental Health Awareness Month

by Guest Writer
Closebye © Nicole Miller
Columns, Music, Today's SongMay 30, 2024<May 30, 2024

“I’m just a big mess”: NYC’s Closebye Light a Face-Melting Fire on “Pilates,” a Vibey, Emotionally Charged Fever Dream

by Mitch Mosk
Cassia © Marieke Macklon
Features, Interviews, MusicMay 30, 2024<May 30, 2024

“We are all about shining a light on the difficult times”: Cassia Find a New Groove in ‘Home Soon…,’ a Summery, Sun-Soaked Reverie

by Mitch Mosk
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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