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Forest Claudette © Lissyelle Laricchia
Interviews, MusicFebruary 16, 2024<February 16, 2024

“I’m Trying to Come Out from Within”: Forest Claudette Channels Vulnerability & Queer Identity into “Kobe Beef”

by Nic Nichols
bedbug's Dylan Gamez Citron
Editorials, MusicFebruary 16, 2024<February 16, 2024

Reaching Up to Heaven and Just Falling Short: A Bedroom Pop Retrospective by bedbug

by Guest Writer
Friko © Pooneh Ghana
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 16, 2024

Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’

by Mitch Mosk
Refreshingly bold, irresistibly buoyant, and unflinchingly honest: Jordan Mackampa © Aidan Harmitt-Williams
Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 17, 2024

‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP

by Mitch Mosk
Hipsy Gap © Lauren Redman
Columns, Music, Today's SongFebruary 15, 2024<February 15, 2024

“Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie

by Mitch Mosk
Stela Cole © Steve Sparrow
Interviews, MusicFebruary 15, 2024<February 15, 2024

“The only way to break the cycle is to quit cold and never look back”: Stela Cole Bares It All in Her Spine-Tingling “Die Hard”

by Chloe Robinson
Sam Windley © McLean Stephenson
Debut, Features, Interviews, MusicFebruary 15, 2024<February 15, 2024

“Telling a story half-drunk and through song”: Sam Windley Is ‘Pink and Nervous’ on Her Dazzling Debut EP

by Mitch Mosk
NewJeans Get Up © ADOR / HYBE
Music, ReviewsFebruary 15, 2024<February 15, 2024

Track-by-Track: It’s Time to ‘Get Up’ with NewJeans’ Second EP

by Nasya Blackshear
People Who Aren't There Anymore - Future Islands 9.5
Music, Our Take, ReviewsFebruary 15, 2024<February 15, 2024

Our Take: Future Islands Get Vivid & Deep on (Perhaps) a Career-Best Album, ‘People Who Aren’t There Anymore’

by Beau Hayhoe
Minnie Riperton in 1976
Columns, Hidden Gems, MusicFebruary 15, 2024<February 15, 2024

The Transcendent “Les Fleurs” Is Minnie Riperton’s Hidden Gem

by Audrey Connelly
Hunter Oliveri © 2024
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024

He’s “Spiraling Out”: 17-Year-Old Hunter Oliveri Is Blazing His Own Angsty Grunge Trail

by Mitch Mosk
Fer Franco © Concepción Huerta
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024

Interview with Fer Franco: An Innovative Guatemalan Composer Finally Claims His ‘Ritos de Paso’

by Josh Weiner
navel grazr © Rita Iovine
Music, Music Videos, PremieresFebruary 14, 2024<February 14, 2024

Premiere: navel grazr’s Cosmic Indie Rock Reverie “Sun Doesn’t Rise” Is a Song of Sonic & Emotional Fuzz

by Mitch Mosk
Hiatus Kaiyote © Rocket Weijers
Columns, Music, Today's SongFebruary 13, 2024<February 13, 2024

Today’s Song: Hiatus Kaiyote Vibe With Relentless Positivity on Wonderful New Single “Everything’s Beautiful”

by Jake Fewx
House of Harm © Eric Bones
Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 13, 2024

Intense, Dreamy, & Nostalgic: House of Harm’s ‘Playground’ Is a Dramatic Post-Punk Fun House

by Mitch Mosk
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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