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Clara Pople & Chase Woods
EditorialsFebruary 22, 2024<February 22, 2024

Emerging Talent Scholarships on Offer from Charmfactory

by Guest Writer
Runnner © India Coombs
Features, Interviews, MusicFebruary 21, 2024<February 21, 2024

When Words Fail: A Conversation with Runnner

by Nasim Elyasi
Ryan Beatty © Ashlan Grey
Concerts, Music, ReviewsFebruary 21, 2024<February 24, 2024

Live Review: Ryan Beatty’s Breathtaking, Awe-Inspiring ‘Calico’ Tour Comes to Houston, TX

by Kelly McCafferty Dorogy
The Staves "I'll Never Leave You Alone" © Harvey Pearson
Columns, Music, Today's SongFebruary 21, 2024<February 21, 2024

The Staves’ “I’ll Never Leave You Alone” Is a Beautiful Folk Song of Identity, Acceptance, and the Multitudes Within Us

by Mitch Mosk
Sophian "Dance With Me" © Tallulah Armenti
Music, PremieresFebruary 21, 2024<February 21, 2024

Premiere: Sophian’s Mesmerizing “Dance With Me” Encourages the Ideality of Trusting & Believing in Oneself

by Lauren Turner
Varsity © Clare Byrne
Features, Interviews, Music, Track-by-TrackFebruary 21, 2024<February 21, 2024

Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album

by Mitch Mosk
Luna Shadows © Lissyelle Laricchia
Columns, Music, Today's SongFebruary 20, 2024<February 20, 2024

“I’m missing the waves, I wanted to crash”: Luna Shadows’ “little rituals” Finds Liberation in Unabashed Deep Feeling

by Rachel Leong
Linying © Michelle Mei
Features, Interviews, MusicFebruary 20, 2024<February 22, 2024

“If I wanted to hate my job, I could be an accountant”: Linying Pushes into Her Next Phase With ‘House Mouse’ EP

by Leo Culp
Hans Williams © Hank Miller
Debut, Features, Interviews, MusicFebruary 20, 2024<February 20, 2024

“Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance

by Mitch Mosk
Danielle Durack's 'Escape Artist' album art
Music, ReviewsFebruary 20, 2024<February 20, 2024

Danielle Durack Uses Humor & Poignancy to Tread the Human Condition on ‘Escape Artist’

by Kevin Krein
Georgia Gets By © Nicola Sandford
Columns, Music, Today's SongFebruary 19, 2024<February 19, 2024

“When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By

by Mitch Mosk
wilt © 2023
Artist to Watch, Columns, Music, Today's SongFebruary 18, 2024<February 18, 2024

Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along”

by Audrey Connelly
Kacey Musgraves © Kelly Christine Sutton
Columns, Music, Today's SongFebruary 17, 2024<February 17, 2024

“No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go

by Lauren Turner
Atwood Magazine's Weekly Roundup | February 16, 2024
Columns, Features, Music, Weekly RoundupFebruary 16, 2024<February 22, 2024

Atwood Magazine’s Weekly Roundup: February 16, 2024

by Atwood Magazine Staff
Victoria Victoria © 2024
Columns, Music, Today's SongFebruary 16, 2024<February 16, 2024

Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream

by Mitch Mosk
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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