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Alisa Amador 'Multitudes' © Sasha Pedro
Debut, Features, Interviews, MusicJune 7, 2024<June 7, 2024

Interview: Tapping into Wonder, Alisa Amador Embraces Her ‘Multitudes’

by Sophie Severs
LØLØ 'falling for robots & wishing i was one' © Steph Verschuren
Debut, Features, Interviews, MusicJune 7, 2024<June 7, 2024

“There’s something very freeing about oversharing with millions of strangers”: LØLØ Reflects on Her Unapologetically Confessional Debut, ‘falling for robots & wishing i was one’

by Rachel Leong
Carly Pearce 'hummingbird' © Allister Ann
Features, Interviews, MusicJune 7, 2024<June 9, 2024

“Same Girl, But Stronger”: Country Singer Carly Pearce Opens Up About Her Fourth Album, ‘hummingbird’

by Emily Frances Algar
Lee Aaron © 2024
Features, Interviews, MusicJune 6, 2024<June 6, 2024

Interview: Lee Aaron Talks New Record ‘Tattoo Me,’ Metal Queen’s 40th Anniversary, & the Importance of Trusting Your Instincts

by Guest Writer
Jed And The Valentine © Prairie Rose Photography
Debut, Music, Music Videos, PremieresJune 6, 2024<June 6, 2024

“The harvest and the heartache”: Jed and the Valentine’s “Mineral” Is a Spirited Folk Rock Ode to the Universe

by Mitch Mosk
William Fitzsimmons © Stuart Smith
Music, PremieresJune 6, 2024<June 6, 2024

Premiere: William Fitzsimmons’ “Holding A Place For You” (ft. Bre Kennedy) Aches With the Weight of Grief, Loss, & Letting Go

by Mitch Mosk
Felicity © Taylor Ballantyne
Artist to Watch, Music, Music Videos, PremieresJune 6, 2024<June 6, 2024

Girl Dinner Meets a Well-Overdue Breakdown: Felicity’s “There’s Been a Lot Going On” Channels Burnout & Exhaustion into Dreamy, Soul-Stirring Finesse

by Mitch Mosk
Chappell Roan at Boston Calling 2024 © Alive Coverage
Concerts, Festival, Music, ReviewsJune 6, 2024<June 6, 2024

Full Service: Boston Called, and Chappell Roan Picked Up the Phone

by Hannah Burns
Hey Violet 'Aftertaste' © KayKay Blaisdell
Features, Interviews, MusicJune 6, 2024<June 10, 2024

Interview: Hey Violet’s Rena Lovelis Talks Healing, Reinvention, & the Band’s Final Album, ‘Aftertaste’

by Mitch Mosk
Warren Dunes © Brady Harvey
Music, Music Videos, PremieresJune 5, 2024<June 5, 2024

Premiere: Warren Dunes’ “Freestyle Day Spa” Is a Sunny & Spirited Reminder That “There’s Plenty of Time Left”

by Mitch Mosk
Lizzy McAlpine © Deanie Chen
Concerts, Music, ReviewsJune 5, 2024<June 5, 2024

Live Review: Lizzy McAlpine Brings ‘Older’ to Life at The Greek Theatre in LA

by Kelly McCafferty Dorogy
Cecilia Castleman © David O'Donohue
Artist to Watch, Features, Interviews, MusicJune 5, 2024<June 5, 2024

Interview: Nashville’s Cecilia Castleman Is Raw, Unfiltered, and Definitely Not Viral – Yet

by Emma Rayder
Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

by Mitch Mosk
Las Nubes © Sal Rispoli
Essays, Music, PlaylistsJune 5, 2024<June 5, 2024

Las Nubes Present: South Florida Bands We Played in (or With) at Churchill’s During Its Final Decade

by Guest Writer
Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

by Claire Meyer
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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