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DijahSB © Vonny Lorde
Features, Interviews, MusicFebruary 5, 2024<February 5, 2024

Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process

by Kendall Graham
Talk Show © Ashley Rommelrath
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024

Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream

by Mitch Mosk
sombr's Shane Boose © Emily Harris
Concerts, Music, ReviewsFebruary 5, 2024<February 5, 2024

Live: sombr Brings His Indie Rock Sound Home to Brooklyn’s Baby’s All Right

by Blake McMillan
U2's 'Achtung Baby' released in 1991
Columns, Music, Music & CitiesFebruary 5, 2024<March 19, 2024

Music & Cities: U2’s ‘Achtung Baby’ Resonates from New York to México

by David Buyze
Prelude to Ecstasy - The Last Dinner Party
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024

Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music

by Olivia Martinez
Dimitra Gurduiala
Columns, Meet Our WritersFebruary 4, 2024<February 5, 2024

Meet Our Writers: Italy’s Dimitra Gurduiala!

by Dimitra Gurduiala
Too Percent Milk
Columns, Music, Today's SongFebruary 4, 2024<February 4, 2024

Today’s Song: In Too Percent Milk’s Devastating “Intangible,” the Darkest of Intrusive Thoughts Win

by Connor Muldowney
IDLES © Daniel Topete
Columns, Music, Today's SongFebruary 3, 2024<February 3, 2024

Today’s Song: IDLES Break Free from the Reins on “Gift Horse”

by Aidan Mega
Atwood Magazine's Weekly Roundup | February 2, 2024
Columns, Features, Music, Weekly RoundupFebruary 2, 2024<February 3, 2024

Atwood Magazine’s Weekly Roundup: February 2, 2024

by Atwood Magazine Staff
Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024

“A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation

by Mitch Mosk
Hunter Metts © Brandon Exum
Features, Interviews, MusicFebruary 2, 2024<February 2, 2024

“A canvas for my grief”: Hunter Metts Discusses the Loss & Love at the Heart of “Somehow You’re Always There”

by Mitch Mosk
Jackie Lee McLean "All Mine" © Greer Cicarelli Creative
Music, PremieresFebruary 2, 2024<February 2, 2024

“I feel found”: Jackie Lee McLean Reintroduces Herself in “All Mine Now,” an Unflinching Self-Expression

by Mitch Mosk
Shannen James © Ellena Paskevicius
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024

“A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life

by Mitch Mosk
I'm in Love - Jelani Aryeh
Columns, Music, Today's SongFebruary 1, 2024<February 1, 2024

Today’s Song: Addicting and All-Consuming, “I’m in Love” Is Jelani Aryeh’s Anthem to the Frustrations of Young Love

by Sofia Sar
Juice Webster © Ryan Kenny
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed

by Mitch Mosk
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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