Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2024<May 20, 2024 Track-by-Track: NYC Singer/Songwriter Arsun Delivers a Timeless, Instant Classic With Debut ‘Babe I Hear Thunder in Your Heart’ by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackMay 20, 2024<May 20, 2024 Track-by-Track: England’s TYDL Radiate with Empowerment in ‘Ethereal’ EP by Joe Beer
Art, Music, ReviewsMay 20, 2024<May 20, 2024 Review: Pussy Riot’s ‘DARK MATTER’ Series Is an Uncompromising, Exasperated Examination of Authoritarianism & Our Role in Enacting Change by Julia Dzurillay
Columns, Music, Today's SongMay 20, 2024<May 20, 2024 Today’s Song: Simone Is an Old Soul, in Personality & Sound, in New Single “Linger” by Noah Berghammer
Columns, Music, Today's SongMay 19, 2024<May 17, 2024 Today’s Song: Girl and Girl’s Jittery, Punk-Infused Indie Rock Single “Dance Now” Makes You Wanna Do Just That by Liv Goodbody
Columns, Music, Today's SongMay 18, 2024<May 17, 2024 “I’m a soft target and you know it”: Rosalie James’ Neurodivergent Indie Rock Anthem Is a Powerful Mission Statement by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 22, 2024 Track-by-Track: Victoria Victoria Hurts So Good in ‘Sweetest Ache,’ an Album of Angst, Soul-Searching, & Soothing Pop Songwriting by Mitch Mosk
Debut, Features, Interviews, MusicMay 17, 2024<May 17, 2024 “Can We Pause Right Here?”: Friday Pilots Club Discuss Compromise, Criminal Careers, & Their Debut Album ‘Nowhere’ by Emma Rayder
Features, Music, Reviews, RoundtableMay 17, 2024<June 29, 2024 Roundtable Discussion: A Review of St. Vincent’s ‘All Born Screaming’ by Atwood Magazine Staff
Artist to Watch, Columns, Interviews, Music, Today's SongMay 17, 2024<May 17, 2024 “‘Bed’ feels like a window into my mind”: Artist-to-Watch Riah on Her Exhilarating, Anxiety-Fueled Indie Pop Anthem by Mitch Mosk
Columns, Features, Music, Weekly RoundupMay 17, 2024<May 22, 2024 Atwood Magazine’s Weekly Roundup: May 17, 2024 by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024 Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’ by Mitch Mosk
Music, PremieresMay 16, 2024<May 16, 2024 “Don’t Have to Do It Yourself”: Joe George’s Latest Single off ‘Folk Cinema’ Is a Soothing Symphony of Empathy & Understanding by Mitch Mosk
Music, PremieresMay 16, 2024<May 16, 2024 “You were never really there”: Alana Yorke’s “Let Me Go” Is a Cathartic & Cleansing Fever Dream by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 16, 2024<May 16, 2024 “The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album by Mitch Mosk
For the Love of Music
For the Love of Music
