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Warren Dunes © Brady Harvey
Music, Music Videos, PremieresJune 5, 2024<June 5, 2024

Premiere: Warren Dunes’ “Freestyle Day Spa” Is a Sunny & Spirited Reminder That “There’s Plenty of Time Left”

by Mitch Mosk
Lizzy McAlpine © Deanie Chen
Concerts, Music, ReviewsJune 5, 2024<June 5, 2024

Live Review: Lizzy McAlpine Brings ‘Older’ to Life at The Greek Theatre in LA

by Kelly McCafferty Dorogy
Cecilia Castleman © David O'Donohue
Artist to Watch, Features, Interviews, MusicJune 5, 2024<June 5, 2024

Interview: Nashville’s Cecilia Castleman Is Raw, Unfiltered, and Definitely Not Viral – Yet

by Emma Rayder
Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

by Mitch Mosk
Las Nubes © Sal Rispoli
Essays, Music, PlaylistsJune 5, 2024<June 5, 2024

Las Nubes Present: South Florida Bands We Played in (or With) at Churchill’s During Its Final Decade

by Guest Writer
Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

by Claire Meyer
Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

by Mitch Mosk
The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

by Mitch Mosk
Lives Outgrown - Beth Gibbons
Debut, Music, ReviewsJune 3, 2024<June 3, 2024

Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’

by Kevin Krein
Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

by Emma Rayder
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongJune 3, 2024<June 3, 2024

Today’s Song: Shannon & The Clams Embrace the Surreal Nature of Time and Memory on “Dali’s Clock”

by Beau Hayhoe
Illuminati Hotties' Sarah Tudzin © Shervin Lainez
Columns, Music, Today's SongJune 2, 2024<May 30, 2024

Illuminati Hotties Explores the Dark Side of Running From Your Inner Voice on the Catchy “Can’t Be Still”

by Oliver Crook
Wishy © Alexa Viscius
Artist to Watch, Columns, Music, Today's SongJune 1, 2024<May 30, 2024

We’ve Got a Winner: Wishy Score Big With “Love on the Outside,” Their First Single Off Upcoming Debut Album ‘Triple Seven’

by Kevin Cost
Atwood Magazine's Weekly Roundup | May 31, 2024
Columns, Features, Music, Weekly RoundupMay 31, 2024<June 7, 2024

Atwood Magazine’s Weekly Roundup: May 31, 2024

by Atwood Magazine Staff
The Art of Getting Through - Imogen Clark
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

Track-by-Track: Imogen Clark’s ‘The Art of Getting Through’ Is a Rallying Cry for Survival & the Human Spirit

by Mitch Mosk
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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