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Columns, Music, Today's SongMay 4, 2024<May 4, 2024 Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone by Liv Goodbody
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Columns, Features, Music, Weekly RoundupMay 3, 2024<May 7, 2024 Atwood Magazine’s Weekly Roundup: May 3, 2024 by Atwood Magazine Staff
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Features, Interviews, MusicMay 3, 2024<May 3, 2024 Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry by Mitch Mosk
Features, Music, Reviews, RoundtableMay 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
Columns, Music, Today's SongMay 3, 2024<May 2, 2024 Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again” by Miles Campbell
Features, Interviews, MusicMay 3, 2024<May 2, 2024 “This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret by Danny Vagnoni
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Columns, Music, Today's SongMay 2, 2024<May 2, 2024 “I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’ by Hamish Monk
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
Music, PremieresMay 2, 2024<May 2, 2024 “Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love by Mitch Mosk
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024 “An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’ by Mitch Mosk
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For the Love of Music
For the Love of Music
