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Akira Galaxy © Silken Weinberg, Angela Ricciardi
Debut, Features, Interviews, MusicJanuary 29, 2024<January 29, 2024

“Back to My Roots”: Akira Galaxy Looks to the Stars & Embraces Her Inner Child on ‘What’s Inside You’

by Isabella Le
Samaria © RYDER
Columns, Music, Today's SongJanuary 28, 2024<January 28, 2024

Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse”

by Aidan Mega
Sophie Powers © Bishop Eleghino
Columns, Music, Today's SongJanuary 27, 2024<January 27, 2024

Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton)

by Olivia Martinez
Atwood Magazine's Weekly Roundup | January 26, 2024
Columns, Features, Music, Weekly RoundupJanuary 26, 2024<January 26, 2024

Atwood Magazine’s Weekly Roundup: January 26, 2024

by Atwood Magazine Staff
Noah Kahan © Aysia Marotta
Columns, Music, Today's SongJanuary 26, 2024<January 26, 2024

“I’m mean because I grew up in New England”: Noah Kahan’s “Homesick” Is Reflected Across the Pond With Sam Fender

by Em Tomeo
Black Polish © Alexandra Petruck
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024

“Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’

by Mitch Mosk
Raffaella © Danica Robinson
Features, Interviews, MusicJanuary 26, 2024<January 26, 2024

Interview: Raffaella Takes Center Stage in ‘LIVE, RAFF, LOVE (ACT II)’

by Sophie Severs
NewDad © Alice Backham
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024

Track-by-Track: NewDad Unpack the “Sad, Noisy Rock” World of ‘MADRA,’ Their Cathartic & Heavy-Hitting Debut Album

by Mitch Mosk
néomí © Sophie Paris
Features, Interviews, MusicJanuary 25, 2024<January 25, 2024

“It’s the extreme reactions in life that can be traumatic”: néomí’s New Year Starts in a Space of Empathy, Compassion, and Unflinching Honesty

by Mitch Mosk
Signe Vange © Sara Galbiati
Columns, Music, Today's SongJanuary 25, 2024<January 25, 2024

Today’s Song: The Gentle, Sun-Kissed Grace of Signe Vange’s “Canada”

by Mitch Mosk
Julie Arsenault © Wynne Neilly
Features, Interviews, MusicJanuary 25, 2024<August 21, 2024

Interview: Forming Connections & Easing Anxiety With Julie Arsenault’s ‘Nothing Sweeter’

by Frankie Rose
Floral Couches © Elle Stanion
Music, PremieresJanuary 25, 2024<January 25, 2024

Premiere: Nashville’s Floral Couches Aches With Warm Psych & Soul in “Where’d You Go?” Off New LP ‘Xtra Mild’

by Mitch Mosk
Orquídeas - Kali Uchis
Music, ReviewsJanuary 25, 2024<January 25, 2024

Review: Kali Uchis Flaunts With Style & Grace on Latin Dance Odyssey ‘Orquídeas’

by Jake Fewx
emmersonHALL © Hannah Judge
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024

Track-by-Track: The Alt-Folk Charm of emmersonHALL’s Loving, Honest, & Impulsive Debut Album

by Mitch Mosk
Observe the 93rd © Danielle Marshall
Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024

“Past, Present, Future”: Inside Observe the 93rd’s Ontological Alt-Rock Reckoning, ‘Eternalism’

by Mitch Mosk
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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