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Atwood Magazine's Weekly Roundup | April 5, 2024
Columns, Features, Music, Weekly RoundupApril 5, 2024<April 8, 2024

Atwood Magazine’s Weekly Roundup: April 5, 2024

by Atwood Magazine Staff
Lucy Kruger & The Lost Boys © Francis Broek
Interviews, MusicApril 5, 2024<April 6, 2024

“I just feel a bit more free in what I’m doing”: The Sonically Charged Addiction of Lucy Kruger & The Lost Boys

by Marissa DeLeon
Bright Future - Adrianne Lenker © Germaine Dunes
Music, ReviewsApril 5, 2024<April 5, 2024

“To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album

by Madeleine Eggen
Declan McKenna © Henry Pearce
Features, Interviews, MusicApril 5, 2024<April 6, 2024

Interview: Declan McKenna on the Need for Authenticity in Music and His New Album ‘What Happened to the Beach?’

by Brianna Corrine
Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

by Christine Buckley
wilt © Mallory Turner
Debut, Features, Interviews, MusicApril 4, 2024<April 4, 2024

“An Exploration of Trauma”: LA Indie Rock Band wilt on Finding Clarity, Escaping Reality, & Honing Their Sound on Self-Titled Debut EP

by Audrey Connelly
Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongApril 4, 2024<April 4, 2024

“It’s a reflection on my life, my truth, my pain”: Dwelling in Emily Wurramara’s “Midnight Blues”

by Mitch Mosk
Medium Build © Tyler Krippaehne
Columns, Music, Reviews, This Just In, Today's SongApril 4, 2024<April 4, 2024

“Knowing you exist takes a load off me”: Basking in Medium Build’s Beautiful Love Song

by Mitch Mosk
Merce Lemon 'Will You Do Me A Kindness' © Nathan Cephas
Music, Reviews, This Just InApril 4, 2024<April 4, 2024

“Point the sun right into my flesh”: Merce Lemon’s “Will You Do Me a Kindness” Is a Cathartic Collage of Life’s Little Moments

by Mitch Mosk
Miranda Joan © Savannah Scott
Interviews, MusicApril 4, 2024<April 4, 2024

“If you want to get to know me, really listen to the music”: Getting a Little ‘Overstimulated’ With Miranda Joan

by Marissa DeLeon
Cowboy Carter - Beyoncé © Blair Caldwell
Features, Music, Reviews, RoundtableApril 4, 2024<June 29, 2024

Roundtable Discussion: A Review of Beyoncé’s ‘Cowboy Carter’

by Atwood Magazine Staff
Hozier © Ruth Medjber
Columns, Music, Today's SongApril 3, 2024<April 3, 2024

Today’s Song: With “Too Sweet,” Hozier Will Skip Dessert, Thank You!

by Desire' Jackson-Crosby
Songs for the Canyon - John Vincent III
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 7, 2024

“What’s a little pain without sunshine?”: John Vincent III Spills His Heart & Soul in Sophomore Album ‘Songs for the Canyon’

by Mitch Mosk
Beatenberg © Tami Aftab
Features, Interviews, MusicApril 3, 2024<April 3, 2024

“Some questions have an answer, others just have a sound”: Beatenberg’s Matt Field on ‘The Great Fire of Beatenberg’ and Making Art During Times of Crisis

by Kate Millar
Little Simz 'Drop 7' © Karolina Wielcoha 8.3
Music, Our Take, ReviewsApril 3, 2024<April 3, 2024

Our Take: Little Simz Proves She Never Drops Anything “Little” With Thrilling ‘Drop 7’ EP

by Connor Muldowney
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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