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Maya Hawke © Andrew Lyman
Columns, Music, Today's SongMay 10, 2024<May 10, 2024

Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single

by Aaron Childree
Atwood Magazine's Weekly Roundup | May 10, 2024
Columns, Features, Music, Weekly RoundupMay 10, 2024<May 16, 2024

Atwood Magazine’s Weekly Roundup: May 10, 2024

by Atwood Magazine Staff
Lonestar - Dreamer Boy
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning

by Mitch Mosk
Jodie Nicholson © Ellen Dixon
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 14, 2024

“Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’

by Mitch Mosk
Jordan Rakei courtesy of Verve Label Group
Features, Interviews, MusicMay 10, 2024<May 13, 2024

“I wanted everything to sound like humans in a room”: Jordan Rakei Embraces the Journey of Life in Fifth Album ‘The Loop’

by Desire' Jackson-Crosby
'Blink Twice If You’re Okay' EP - FARR
Music, ReviewsMay 10, 2024<May 10, 2024

‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP

by Danielle Furman
Angus & Julia Stone 'Cape Forestier' © Daniel Mayne
Features, Interviews, MusicMay 10, 2024<May 10, 2024

“Moving in and out of the light of love”: Angus & Julia Stone Reflect on Life, Its Honest Truths, & Their Roots in ‘Cape Forestier’

by Lauren Turner
Raveloe's debut album 'Exit Light'
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection

by Mitch Mosk
Fearless Movement - Kamasi Washington 9.2
Music, Our Take, ReviewsMay 9, 2024<May 9, 2024

Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’

by Josh Weiner
Peach Luffe © Alex Lam
Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High

by Mitch Mosk
Corella 'Once Upon a Weekend' © Jake Haseldine
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind

by Mitch Mosk
Dua Lipa 'Radical Optimism' © Tyrone Lebon
Music, ReviewsMay 9, 2024<May 9, 2024

Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’

by Lauren Turner
Hooked Like Helen © Rat Majesty
Columns, Essays, Mental Health Awareness MonthMay 9, 2024<November 14, 2024

From Pain to Peace: Rock Band Hooked Like Helen’s Journey Through Mental Health and Music

by Guest Writer
HELLCAT - Kitty Coen
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album

by Mitch Mosk
h. pruz © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth

by Mitch Mosk
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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