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Quiet Canyons © Casey Curry
Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’

by Mitch Mosk
English Teacher © Denmarc Creary
Debut, Features, Interviews, MusicMay 8, 2024<May 8, 2024

Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’

by Oliver Crook
Torri Weidinger and Hannah Hill at STFU Night 1 © Noah Berghammer
Concerts, Music, ReviewsMay 8, 2024<May 8, 2024

STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level

by Guest Writer
All Born Screaming - St. Vincent
Music, ReviewsMay 8, 2024<May 8, 2024

Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot

by Emma Rayder
Martí © 2024
Columns, Music, Today's SongMay 7, 2024<May 7, 2024

Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)”

by Joe Beer
Britti © Jim Herrington
Debut, Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut

by Mitch Mosk
snarls © Sumner Howells
Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy

by Mitch Mosk
Microwave 'Let's Start Degeneracy' © Cameron Flaisch
Features, Interviews, MusicMay 7, 2024<May 7, 2024

Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’

by James Crowley
Ethel © Victor Jacques Sebb
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP

by Mitch Mosk
'somebody's daughter' by néomí © Liz van den Akker
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity

by Mitch Mosk
David Sylvian’s 1987 album ‘Secrets of the Beehive’ stands as one of the most remarkable and stark registers of the journey within the emotional life of a relationship
Columns, Music, Music & CitiesMay 6, 2024<May 6, 2024

Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal

by David Buyze
Last Dinosaurs © Keaidkumchai Tongpai
Interviews, MusicMay 6, 2024<May 6, 2024

“A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’

by Em Tomeo
Isaac Dunbar 'Beep Beep Repeat' © Thom Kerr
Music, ReviewsMay 6, 2024<May 5, 2024

“A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long

by Mitch Mosk
Eden Rain © 2024
Music, Reviews, This Just InMay 6, 2024<May 5, 2024

“If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament

by Mitch Mosk
Joy Oladokun © Republic Records
Music, Reviews, This Just InMay 5, 2024<May 5, 2024

“I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale

by Mitch Mosk
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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© Atwood Magazine 2024 For the Love of Music
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