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Brimheim 'RATKING' © Andre Hansen
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 3, 2024

“Violent, But Beautiful”: Brimheim Is Unfiltered & Unleashed on ‘RATKING,’ a Bold, Breathtaking Record of Raw Humanity

by Mitch Mosk
beccs © Eleanor Petry
Interviews, MusicApril 2, 2024<April 2, 2024

“I was always a little bundle of stardust”: A Conversation with Brooklyn’s beccs

by Marissa DeLeon
'Bleachers' by Bleachers album art 8.9
Music, Our Take, ReviewsApril 2, 2024<April 2, 2024

Our Take: Bleachers’ Self-Titled Fourth Album Is a Sentimental, Peaceful Celebration from New Jersey’s Finest & Friends

by Jason Brillon
Night Flight's Harry Phillips (left) and Sam Holmes (right) © 2024
Music, Reviews, This Just InApril 2, 2024<April 3, 2024

“Summer came and left along with you”: London’s Night Flight Return With “English Noise,” a Dreamy, Nostalgic Reverie

by Mitch Mosk
h. pruz © Felix Walworth
Columns, Music, Today's SongApril 2, 2024<April 2, 2024

“Forget everything else is real”: Basking in the Sweet Heat of h. pruz’s “Dark Sun,” an Intimate & Love-Soaked Indie Folk Daydream

by Mitch Mosk
Atwood Magazine's Top 10 Asian Acts of SXSW 2024!
Festival, Lists, MusicApril 2, 2024<April 2, 2024

Atwood Magazine’s Top 10 Asian Acts of SXSW 2024!

by Freya Rinaldi
Teens in Trouble's Lizzie Killian © Sasss World
Debut, Features, Interviews, MusicApril 2, 2024<April 2, 2024

Finding Our Identity and the Power of Rocking Out: A Conversation With Teens in Trouble’s Lizzie Killian

by Frankie Rose
Jordyn © Kevin Ray Orange
Columns, Music, Today's SongApril 1, 2024<April 1, 2024

Jordyn’s “Happening” Is a Motivating Song of Accepting Life’s Many Peaks & Valleys

by Chloe Robinson
Naomi Kimpenu © 2024
Music, Music Videos, PremieresApril 1, 2024<April 1, 2024

Premiere: East London’s Naomi Kimpenu Returns with “Naomi’s Lament,” a Soul-Stirring Ballad of Raw, Unfiltered Heartache

by Mitch Mosk
Wild Pink © Fire Talk
Columns, Music, Today's SongMarch 31, 2024<March 30, 2024

Wild Pink’s New Wavey “Air Drumming Fix You” Leads Their Lush, Richly Crafted Surprise EP, ‘Strawberry Eraser’

by Beau Hayhoe
Microwave © Cameron Flaisch
Columns, Music, Today's SongMarch 30, 2024<March 30, 2024

Today’s Song: Atlanta’s Microwave Find Serenity With “Huperzine Dreams”

by James Crowley
Atwood Magazine's Weekly Roundup | March 29, 2024
Columns, Features, Music, Weekly RoundupMarch 29, 2024<April 4, 2024

Atwood Magazine’s Weekly Roundup: March 29, 2024

by Atwood Magazine Staff
Bea and her Business © Lewis Vorn
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024

“I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love

by Mitch Mosk
Jeremiah Fraites © Rachel Deeb
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Interview: The Lumineers’ Jeremiah Fraites on the Intimacy of Piano Music

by Brianna Corrine
Close Talker © Nicole Plett
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound

by Mitch Mosk
Posts pagination
1 … 128 129 130 131 132 … 727

Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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