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coldbrew's Austyn Moffat
Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024

“I wanted to make an album that sounded like life”: Inside coldbrew’s Jazzy Lo-Fi Seduction, ‘no time to waste’

by Mitch Mosk
Samm Henshaw "Jumoké" © 2024
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

Interview: Samm Henshaw on “Jumoké,” Genre-Bending Musicianship, and Going With the Flow

by Rachel Leong
Valley (L to R): Mickey Brandolino, Rob Laska, Karah James, Alex Dimauro © Becca Hamel
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

“Everyone’s dealing with a four-way marriage”: Valley Talk Band Therapy, the Album Experience, and Sophomore LP ‘Lost in Translation’

by Mitch Mosk
Future Islands (left to right): Samuel T. Herring, Gerrit Welmers, William Cashion, Michael Lowry © Frank Hamilton
Columns, Music, Today's SongJanuary 24, 2024<January 24, 2024

Today’s Song: Future Islands Embrace Yearning & Distance With “Say Goodbye”

by Beau Hayhoe
Lee Lewis © Shamaal
Artist to Watch, Columns, Music, Today's SongJanuary 23, 2024<January 23, 2024

Today’s Song: Lee Lewis’ “Delusion” Is a Dark and Moody Pop Song “for the Gays & the Girls”

by Mitch Mosk
Stolen Jars' Cody Fitzgerald and Sarah Coffey © Tonje Thilesen
Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

Interview: Brooklyn’s Stolen Jars Steal Our Hearts on Cathartic, Introspective, & Personal 4th LP, ‘I Won’t Let Me Down’

by Mitch Mosk
Willow Avalon © Kristin Karch 2024
Debut, Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

“I still feel like a stranger to my listeners, and that’s something I want to change”: A Conversation With Willow Avalon

by Mitch Mosk
Knxwledge. © 2024
Music, ReviewsJanuary 23, 2024<January 23, 2024

Knxwledge. Flexes Production Muscles on ‘VGM.30,’ the 30th Installment of Video Game Music Series

by Jake Fewx
Products Band "Shell Text" © Juliet Farmer
Columns, Music, Today's SongJanuary 22, 2024<January 23, 2024

Today’s Song: Energetic Emotions Conjure Sheer Attitude on Products Band’s “Shell Text”

by Kevin Cost
Slow Fiction "Apollo" © Miles Wilson
Music, PremieresJanuary 22, 2024<January 23, 2024

Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption

by Mitch Mosk
Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

by Nasim Elyasi
Fetch Tiger © Nicole Miller
Music, PremieresJanuary 22, 2024<January 22, 2024

Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream

by Mitch Mosk
Asha Jefferies © Cody Wood
Columns, Music, Today's SongJanuary 21, 2024<January 21, 2024

Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch”

by Beau Hayhoe
Yolanda Be Cool
Columns, Interviews, Music, Today's SongJanuary 20, 2024<January 20, 2024

Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 19, 2024
Columns, Features, Music, Weekly RoundupJanuary 19, 2024<January 19, 2024

Atwood Magazine’s Weekly Roundup: January 19, 2024

by Atwood Magazine Staff
Posts pagination
1 … 128 129 130 131 132 … 712

Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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