Artist to Watch, Columns, Music, ReviewsApril 29, 2024<April 28, 2024 Artist to Watch: Steinza Says the Quiet Parts Out Loud in “Visions of You,” an Achingly Intimate Folk Rock Singalong by Mitch Mosk
Columns, Music, Today's SongApril 28, 2024<April 27, 2024 Today’s Song: Wild Pink Teams With Wyatt C. Louis on Lovely “Oh Vibrant Sky,” a Soft & Sweet Folk Dream by Beau Hayhoe
Columns, Music, Today's SongApril 27, 2024<April 27, 2024 Another Lennon-McCartney Original: James McCartney Teams with Sean Ono Lennon on “Primrose Hill” by Aidan Moyer
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2024<April 26, 2024 “Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’ by Mitch Mosk
Columns, Features, Music, Weekly RoundupApril 26, 2024<May 5, 2024 Atwood Magazine’s Weekly Roundup: April 26, 2024 by Atwood Magazine Staff
Features, Interviews, MusicApril 26, 2024<April 26, 2024 They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity by Sofia Sar
Music, Reviews, This Just InApril 26, 2024<April 28, 2024 “Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible by Hamish Monk
Features, Interviews, MusicApril 26, 2024<April 26, 2024 Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage by Guest Writer
Interviews, MusicApril 26, 2024<April 26, 2024 “There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know” by Mitch Mosk
Features, Interviews, MusicApril 25, 2024<April 25, 2024 Interview: Ocean Alley Are Touching Back Down in Your City by Blake McMillan
Columns, Debut, Music, Today's SongApril 25, 2024<April 25, 2024 Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut by Mitch Mosk
Features, Interviews, MusicApril 25, 2024<January 28, 2026 “Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ by Mitch Mosk
Music, PremieresApril 25, 2024<April 25, 2024 “Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie by Mitch Mosk
Concerts, Festival, Music, ReviewsApril 25, 2024<April 25, 2024 “We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good by Emma Rayder
Features, Music, Reviews, RoundtableApril 25, 2024<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
