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Roanoke © John Florentino
Artist to Watch, Columns, Music, Today's SongJanuary 12, 2024<January 12, 2024

Artist to Watch: Nashville’s Roanoke Come “Back Again” With Spirited Passion & Charming Nostalgia

by Mitch Mosk
Nicotine Dolls © Hannah Greve
Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Feature: Nicotine Dolls’ ‘How Do You Love Me’ EP is the Soundtrack to a Soul Unleashed & Exposed

by Mitch Mosk
Wonder, Won't You? - Harrison Storm
Debut, Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience

by Mitch Mosk
BEL © SJ Spreng
Features, Interviews, Music, Track-by-TrackJanuary 11, 2024<January 11, 2024

“Honest, Raw, & Reflective”: Bel’s ‘Read the Room’ EP Is an Impassioned, Empowered Eruption

by Mitch Mosk
Brenn! © Chase Denton & Working Holiday
Columns, Music, Today's SongJanuary 11, 2024<January 11, 2024

Artist to Watch: Brenn! Weaves a Buoyant, Bittersweet Folk-Pop Reverie in “Valapriso”

by Mitch Mosk
Birksie "Tug of War" © David Od
Debut, Music, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Birksie Debuts With Blustering Folk Rock Passion in “Tug of War”

by Mitch Mosk
Boys Like Girls © Matty Vogel
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: Boys Like Girls Are Back With ‘Sunday at Foxwoods,’ and Martin Johnson Is Leading the Charge

by Josh Weiner
Joshua Crumbly © Lauren Morgan
Music, Music Videos, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Joshua Crumbly Dwells in Dreamy Reverie on “steps” ft. Samora Pinderhughes

by Mitch Mosk
The Vaccines 'Pick-Up Full of Pink Carnations' © Wrenne Evans
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: The Vaccines’ Justin Young on the Space Between Reality & Expectation in ‘Pick-Up Full of Pink Carnations’

by Guest Writer
Why Does Love Mean Loss? EP - Slaney Bay
Features, Interviews, MusicJanuary 9, 2024<January 9, 2024

Interview: London’s Slaney Bay Embrace the Highs & Lows of Human Experience in ‘Why Does Love Mean Loss?’ EP

by Mitch Mosk
Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

by Sofia Sar
Ratboys © Alexa Viscius
Interviews, MusicJanuary 8, 2024<January 8, 2024

Interview: Meet Ratboys, a Chicago Band Standing at ‘The Window’ of Opportunity

by Josh Weiner
Wisp © courtesy of the artist
Artist to Watch, Columns, Debut, Music, Today's SongJanuary 8, 2024<January 8, 2024

Artist to Watch: Wisp Delivers Shiver-Inducing Shoegaze With a Tender, Loving Twist in “Once then we’ll be free”

by Mitch Mosk
Dhani Harrison collage © Aidan Moyer
Features, Interviews, MusicJanuary 7, 2024<January 8, 2024

The River Flows At Its Own Speed: An Interview With Dhani Harrison

by Aidan Moyer
Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

by Hannah Burns
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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