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SIPHO. "LOCK IT IN" © Marco Grey
Columns, Music, Today's SongNovember 14, 2023<November 14, 2023

Today’s Song: SIPHO.’s “LOCK IT IN (NO REGRETS)” Is an Unapologetic Fever Dream Off Debut LP ‘PRAYERS & PARANOIA’

by Mitch Mosk
Katastro at Red Rocks Amphitheatre, 2022 © Chris Fiq
Interviews, Music, Music Videos, PremieresNovember 14, 2023<November 14, 2023

“I wish that we could stay right here forever”: Katastro’s Heartfelt Anthem “Good Time” Is a Beautiful Tribute to Late Singer Andy Chaves

by Mitch Mosk
The Rose: Dawn To Dusk World Tour © Christian Haahs
Concerts, Music, ReviewsNovember 14, 2023<November 14, 2023

Live Review: The Rose Stun Austin, Texas on Their “Dawn to Dusk” Tour

by Freya Rinaldi
Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

by Marissa DeLeon
KRIS © 2023
Columns, Debut, Music, Today's SongNovember 13, 2023<November 13, 2023

Today’s Song: KRIS Debuts With Haunting & Vulnerable “Black Leather Heaven”

by Julius Robinson
Kevin Abstact © 2023
Columns, Music, Today's SongNovember 11, 2023<November 11, 2023

Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’

by Laurent Chavannes
Angie McMahon © Taylor Ranston
Features, Interviews, MusicNovember 10, 2023<November 10, 2023

Cosmic Crying Affirmations: Angie McMahon Dives into the Raw Depths of Sophomore LP ‘Light, Dark, Light Again’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 10, 2023
Columns, Features, Music, Weekly RoundupNovember 10, 2023<November 15, 2023

Atwood Magazine’s Weekly Roundup: November 10, 2023

by Atwood Magazine Staff
Stephanie Poetri © John Liwag
Interviews, MusicNovember 10, 2023<November 10, 2023

Interview: Stephanie Poetri Talks About Being a Homebody, Indonesian Food She Misses, & Her Songwriting Process

by Freya Rinaldi
MICHELLE © Jimmy Fontaine
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023

Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook

by Sofia Sar
OTNES © 2023
Debut, Features, Interviews, Music, Track-by-TrackNovember 10, 2023<November 13, 2023

Exploratory, Nostalgic, & Cinematic: OTNES Bares Her Soul on Debut Album ‘SHOW THEM WHAT’S INSIDE!’

by Mitch Mosk
Sophie Holohan © Ira Mapho
Features, Interviews, MusicNovember 9, 2023<November 9, 2023

Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere

by Mitch Mosk
Kat Cunning © Colin Jones
Music, ReviewsNovember 9, 2023<November 9, 2023

Kat Cunning’s “Bedroom Angel” Is a Seductive Serenade Sure to Send You Straight to the Heavens

by Chloe Robinson
Roger Eno © Cecily Eno
Features, Interviews, Music, Track-by-TrackNovember 9, 2023<December 6, 2023

Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’

by Mitch Mosk
Spiritbox © Jonathan Weiner 8.9
Music, Our Take, ReviewsNovember 9, 2023<November 9, 2023

Our Take: Spiritbox Keep It Heavy and Ferocious on ‘The Fear of Fear’ EP

by Kendall Graham
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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