Columns, Music, Today's SongJanuary 28, 2024<January 28, 2024 Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse” by Aidan Mega
Columns, Music, Today's SongJanuary 27, 2024<January 27, 2024 Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton) by Olivia Martinez
Columns, Features, Music, Weekly RoundupJanuary 26, 2024<January 26, 2024 Atwood Magazine’s Weekly Roundup: January 26, 2024 by Atwood Magazine Staff
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Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024 “Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’ by Mitch Mosk
Features, Interviews, MusicJanuary 26, 2024<January 26, 2024 Interview: Raffaella Takes Center Stage in ‘LIVE, RAFF, LOVE (ACT II)’ by Sophie Severs
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024 Track-by-Track: NewDad Unpack the “Sad, Noisy Rock” World of ‘MADRA,’ Their Cathartic & Heavy-Hitting Debut Album by Mitch Mosk
Features, Interviews, MusicJanuary 25, 2024<January 25, 2024 “It’s the extreme reactions in life that can be traumatic”: néomí’s New Year Starts in a Space of Empathy, Compassion, and Unflinching Honesty by Mitch Mosk
Columns, Music, Today's SongJanuary 25, 2024<January 25, 2024 Today’s Song: The Gentle, Sun-Kissed Grace of Signe Vange’s “Canada” by Mitch Mosk
Features, Interviews, MusicJanuary 25, 2024<August 21, 2024 Interview: Forming Connections & Easing Anxiety With Julie Arsenault’s ‘Nothing Sweeter’ by Frankie Rose
Music, PremieresJanuary 25, 2024<January 25, 2024 Premiere: Nashville’s Floral Couches Aches With Warm Psych & Soul in “Where’d You Go?” Off New LP ‘Xtra Mild’ by Mitch Mosk
Music, ReviewsJanuary 25, 2024<January 25, 2024 Review: Kali Uchis Flaunts With Style & Grace on Latin Dance Odyssey ‘Orquídeas’ by Jake Fewx
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024 Track-by-Track: The Alt-Folk Charm of emmersonHALL’s Loving, Honest, & Impulsive Debut Album by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024 “Past, Present, Future”: Inside Observe the 93rd’s Ontological Alt-Rock Reckoning, ‘Eternalism’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024 “I wanted to make an album that sounded like life”: Inside coldbrew’s Jazzy Lo-Fi Seduction, ‘no time to waste’ by Mitch Mosk
For the Love of Music
For the Love of Music
