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My Friend Shawn © Lui (@luiifilms)
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

“Working up to the ultimate artist project”: Getting to Know My Friend Shawn

by Laurent Chavannes
Japan, Man's Laeticia Acra © 2023
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2023<November 1, 2023

“I’m just a primitive archetype”: The Funk & Fire Within Japan, Man’s Coming-of-Age Debut Album, ‘Metropolis’

by Mitch Mosk
John Mayer © Aidan Moyer
Concerts, Editorials, Music, ReviewsOctober 30, 2023<January 6, 2024

Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer

by Aidan Moyer
Ethan Buckner © B Creative
Columns, Debut, Music, Today's SongOctober 30, 2023<October 30, 2023

“Eyes on the Prize”: The Revolutionary Energy of Ethan Buckner’s Anthemic, Emotionally Charged Debut Single

by Mitch Mosk
Sleeper - BADBADNOTGOOD & Charlotte Day Wilson
Columns, Music, Today's SongOctober 29, 2023<October 29, 2023

Today’s Song: BADBADNOTGOOD & Charlotte Day Wilson Reawaken Their Exceptional Partnership for Silky “Sleeper”

by Kendall Graham
Atwood Magazine's Weekly Roundup | October 27, 2023
Columns, Features, Music, Weekly RoundupOctober 27, 2023<October 28, 2023

Atwood Magazine’s Weekly Roundup: October 27, 2023

by Atwood Magazine Staff
Jazmin Bean © Jamie Lee Culver
Columns, Music, Today's SongOctober 27, 2023<October 27, 2023

Jazmin Bean’s “Terrified” Channels ’90s Britpop into an Anthem of Love’s Breathtaking Beauty

by Mitch Mosk
'New Gold Dream - Live From Paisley Abbey' - Simple Minds
Music, ReviewsOctober 27, 2023<October 27, 2023

Album Review: Simple Minds’ ‘New Gold Dream – Live From Paisley Abbey’ Is the Sound of the Ineffable

by David Buyze
Pony Girl © François Mittins
Music, Music Videos, PremieresOctober 27, 2023<October 27, 2023

“We’re all clowning in some form”: Pony Girl’s “Wannabe” Aches with Autumnal Warmth, Anxiety, & Cathartic Release

by Mitch Mosk
Mr Sun Plays Duke Ellington's Nutcracker Suite - Mr Sun
Editorials, Music, ReviewsOctober 27, 2023<October 27, 2023

Review: Mr. Sun Brings New Life to Ellington’s Reimagined Nutcracker Suite

by Atwood Magazine Staff
FIZZ © Nicole Ngai
Debut, Features, Interviews, MusicOctober 27, 2023<October 27, 2023

“This just feels like a real celebration of life”: Join FIZZ on Their Journey to Finding ‘The Secret to Life’

by Nasya Blackshear
Psymon Spine © Nicole "Neptune" Miller
Columns, Music, Today's SongOctober 26, 2023<November 21, 2023

Today’s Song: Psymon Spine’s “Boys” Is a Smoldering Psych-Rock Seduction

by Mitch Mosk
Parliament-Funkadelic © 1971
Columns, Music, Nostalgia TracksOctober 26, 2023<October 26, 2023

Nostalgia Tracks: Funkadelic’s “Biological Speculation” and Its Role in American History

by Audrey Connelly
Jaguar Sun © Chris Minielly
Features, Interviews, MusicOctober 26, 2023<October 26, 2023

Nostalgia, Optimism, & Love Songs to My Girlfriend’s Dog: A Conversation with Jaguar Sun

by Kate Millar
My Morning Jacket © Rich Fury / MSG Entertainment
Concerts, Music, ReviewsOctober 26, 2023<October 26, 2023

Live Review: My Morning Jacket Play ‘It Still Moves’ in Its Entirety, Bust Out Deep Cuts During Three-Night Residency

by Max Kalnitz
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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