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NewDad © Zyanya Lorenzo
Columns, Music, Today's SongOctober 25, 2023<October 25, 2023

Today’s Song: Grunge, Galway, & HBO’s Euphoria Converge in NewDad’s “Angel”

by Mitch Mosk
Poppy © Le3ay
Features, Interviews, MusicOctober 25, 2023<October 28, 2023

When You Zig, I Zag: A Conversation with Poppy

by Danny Vagnoni
Fake Dad © Austin Ciezcko
Interviews, MusicOctober 25, 2023<October 25, 2023

Interview: From Dramatic Moments to Memorable Sonics, Fake Dad Dish It All

by Chloe Robinson
Rina Sawayama © Charlotte Rutherford
Concerts, Music, ReviewsOctober 25, 2023<October 25, 2023

Live Review: Rina Sawayama Brings Glam Cowgirl Pop/Rock to the Lone Star State

by Marissa DeLeon
Sarah Klang © Fredrika Eriksson
Features, Interviews, Music, Track-by-TrackOctober 24, 2023<October 25, 2023

Feature: Sarah Klang’s ‘Mercedes’ Is a Cinematic & Stunningly Soulful Coming of Age

by Mitch Mosk
A Millennial's Shifting Music Perspective
Editorials, MusicOctober 24, 2023<February 24, 2025

Essay: A Millennial’s Shifting Music Perspective

by Eric Schuster
coldbrew © 2023
Music, PremieresOctober 24, 2023<October 24, 2023

Premiere: The Lo-Fi Heat of “my babe,” coldbrew’s Chill, Cozy Coffeehouse Companion

by Mitch Mosk
Lana Nauphal © Ada Chen
Debut, Music, Music Videos, PremieresOctober 24, 2023<October 24, 2023

Premiere: Feeling Butterflies With Lana Nauphal’s Lovestruck Debut, “Oh He Oh My”

by Mitch Mosk
Future Islands © Frank Hamilton
Columns, Music, Today's SongOctober 24, 2023<January 24, 2024

Today’s Song: Future Islands Make Triumphant Return with New Single “The Tower” Off 7th Album ‘People Who Aren’t There Anymore’

by Beau Hayhoe
milk. © Nicholas O'Donnell
Features, Interviews, MusicOctober 24, 2023<October 23, 2023

Soul-Searching in Song: An Interview with Irish Indie Pop Band milk.

by Mitch Mosk
IMPORTED - Santa Chiara © Zoe Salducci
Debut, Features, Interviews, Music, Track-by-TrackOctober 23, 2023<October 24, 2023

Sassy, Sentimental, & Radical Chic: From Italy to Philly, Santa Chiara’s ‘IMPORTED’ Tells Stories of Love & Life

by Mitch Mosk
Humm © Kate Feast
Columns, Music, Today's SongOctober 23, 2023<October 23, 2023

Today’s Song: Humm Embrace the Clarity of Solitude Within “Danced Alone (who I am when I’m in love)”

by Sophie Severs
Thundercat © Jesse Lirola
Concerts, Music, ReviewsOctober 23, 2023<March 12, 2025

Live Review: Thundercat Puts Improv Skills on Display During Two-Night Run at Brooklyn Mirage

by Max Kalnitz
Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

by Sofia Sar
Atwood Magazine's Weekly Roundup | October 20, 2023
Features, Interviews, MusicOctober 20, 2023<October 27, 2023

Atwood Magazine’s Weekly Roundup: October 20, 2023

by Atwood Magazine Staff
Posts pagination
1 … 143 144 145 146 147 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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