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Samm Henshaw "Jumoké" © 2024
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

Interview: Samm Henshaw on “Jumoké,” Genre-Bending Musicianship, and Going With the Flow

by Rachel Leong
Valley (L to R): Mickey Brandolino, Rob Laska, Karah James, Alex Dimauro © Becca Hamel
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

“Everyone’s dealing with a four-way marriage”: Valley Talk Band Therapy, the Album Experience, and Sophomore LP ‘Lost in Translation’

by Mitch Mosk
Future Islands (left to right): Samuel T. Herring, Gerrit Welmers, William Cashion, Michael Lowry © Frank Hamilton
Columns, Music, Today's SongJanuary 24, 2024<January 24, 2024

Today’s Song: Future Islands Embrace Yearning & Distance With “Say Goodbye”

by Beau Hayhoe
Lee Lewis © Shamaal
Artist to Watch, Columns, Music, Today's SongJanuary 23, 2024<January 23, 2024

Today’s Song: Lee Lewis’ “Delusion” Is a Dark and Moody Pop Song “for the Gays & the Girls”

by Mitch Mosk
Stolen Jars' Cody Fitzgerald and Sarah Coffey © Tonje Thilesen
Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

Interview: Brooklyn’s Stolen Jars Steal Our Hearts on Cathartic, Introspective, & Personal 4th LP, ‘I Won’t Let Me Down’

by Mitch Mosk
Willow Avalon © Kristin Karch 2024
Debut, Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

“I still feel like a stranger to my listeners, and that’s something I want to change”: A Conversation With Willow Avalon

by Mitch Mosk
Knxwledge. © 2024
Music, ReviewsJanuary 23, 2024<January 23, 2024

Knxwledge. Flexes Production Muscles on ‘VGM.30,’ the 30th Installment of Video Game Music Series

by Jake Fewx
Products Band "Shell Text" © Juliet Farmer
Columns, Music, Today's SongJanuary 22, 2024<January 23, 2024

Today’s Song: Energetic Emotions Conjure Sheer Attitude on Products Band’s “Shell Text”

by Kevin Cost
Slow Fiction "Apollo" © Miles Wilson
Music, PremieresJanuary 22, 2024<January 23, 2024

Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption

by Mitch Mosk
Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

by Nasim Elyasi
Fetch Tiger © Nicole Miller
Music, PremieresJanuary 22, 2024<January 22, 2024

Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream

by Mitch Mosk
Asha Jefferies © Cody Wood
Columns, Music, Today's SongJanuary 21, 2024<January 21, 2024

Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch”

by Beau Hayhoe
Yolanda Be Cool
Columns, Interviews, Music, Today's SongJanuary 20, 2024<January 20, 2024

Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 19, 2024
Columns, Features, Music, Weekly RoundupJanuary 19, 2024<January 19, 2024

Atwood Magazine’s Weekly Roundup: January 19, 2024

by Atwood Magazine Staff
Wynona © Lachlan Chester
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024

“Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval

by Mitch Mosk
Posts pagination
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Brand New

  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

:: discover something new ::

Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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