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The Maine "Die to Fall" © Lupe Bustos
Interviews, Music, Today's SongMarch 19, 2026<March 23, 2026

“Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream

by Mitch Mosk
Atwood Magazine's 150th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 18, 2026<March 18, 2026

Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers!

by Mitch Mosk
CARR © Sheva Kafai
Features, Interviews, MusicMarch 18, 2026<April 13, 2026

Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions

by Kelsey Ferrell
“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”
Music, Music Videos, PremieresMarch 18, 2026<March 18, 2026

“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”

by Mitch Mosk
Silverdeer "Open Mouth" © Emma Holabird
Debut, Interviews, Music, Today's SongMarch 18, 2026<March 18, 2026

“We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality

by Mitch Mosk
Bruno Mars 'The Romantic' album art
Features, Music, Reviews, RoundtableMarch 17, 2026<March 17, 2026

Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’

by Atwood Magazine Staff
Linda Marks © Amaru Photography
Essays, Music, Women's History MonthMarch 17, 2026<March 18, 2026

“Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month

by Guest Writer
Soda Blonde © Adam O'Regan
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026

“Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 16, 2026
Columns, Features, Music, Weekly RoundupMarch 17, 2026<March 17, 2026

Atwood Magazine’s Weekly Roundup: March 17, 2026

by Atwood Magazine Staff
Delaney Bailey © Alexa Viscius
Features, Interviews, MusicMarch 16, 2026<March 16, 2026

Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist

by Rachel Leong
Grace Ives "Stupid Bitches" © 2026
Columns, Music, Today's SongMarch 16, 2026<March 16, 2026

“I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem

by Kevin Cost
Maris "Body Is on Fire" © 2026
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026

“Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire”

by Mitch Mosk
J.MYSTERY © Pedro Gomes
Interviews, Music, Today's SongMarch 14, 2026<March 14, 2026

“Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change”

by Joe Beer
The Format © Carlo Cavaluzzi
Features, Interviews, MusicMarch 13, 2026<March 14, 2026

“There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World

by Mitch Mosk
Tessa Rose Jackson © Bibian Bingen
Features, Interviews, MusicMarch 13, 2026<March 13, 2026

“You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’

by Aileen Goos
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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