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Close Talker "Papier-mâché" © Nicole Plett
Columns, Music, Today's SongNovember 8, 2023<November 8, 2023

Today’s Song: Saskatoon’s Close Talker Stun With “Papier-mâché,” a Cathartic & Charged Indie Rock Reckoning

by Mitch Mosk
Are You There, Boy? - Beharie
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Adventurous, Vulnerable, Playful: Beharie Shares His Many Sides on Soulful & Dreamy Debut Album, ‘Are You There, Boy?’

by Mitch Mosk
Trying to define newpunk - Dancing the Conga
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Cozy, Messy, & Loud: Oslo’s Dancing the Conga Debut with ‘Trying to define newpunk’, an Exhilarating Musical Fever Dream

by Mitch Mosk
Atka © Anh Le
Debut, Features, Interviews, Music, Track-by-TrackNovember 7, 2023<November 7, 2023

Perception & Paranoia: Atka’s Haunting Debut EP ‘The Eye Against the Ashen Sky’ Exposes Our Innermost Depths & Dichotomies

by Mitch Mosk
Maiden King's Jake Hawrylak © Cory DeWald
Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: Maiden King’s Smoldering “One Days” Is a Soul-Stirring Journey into Life’s Dreamy Depths

by Mitch Mosk
HAHA © Yrene Ramirez
Debut, Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: HAHA Invite Us to Dance the Night Away With “No Promises,” an Intimate Indie Pop Seduction

by Mitch Mosk
All We Are - WESSON
Debut, Features, Interviews, MusicNovember 7, 2023<November 7, 2023

Interview: British Alt Rock Band WESSON Speak About Their Raw & Vulnerable Debut Album, ‘All We Are’

by Joe Beer
Bear's Den © Bennie Curnow
Columns, Music, Today's SongNovember 7, 2023<November 7, 2023

Today’s Song: The Beautiful, Bittersweet Weight of Bear’s Den’s “Loneliness”

by Mitch Mosk
Yam Haus © Casey Pflipsen
Features, Interviews, Music, Track-by-TrackNovember 6, 2023<November 6, 2023

“I’m a proud little hamster on my wheel”: Getting ‘Stupid and Famous’ With Pop Rock Trio Yam Haus

by Mitch Mosk
'When the Pawn...' album art - Fiona Apple
Music, Nostalgia Tracks, ReviewsNovember 6, 2023<November 6, 2023

When The Pawn…’s 24th Anniversary: How Fiona Apple Shaped a Generation of Singer/Songwriters

by Minna Abdel-Gawad
denn. © Emma Pilkington Mead
Columns, Music, Today's SongNovember 6, 2023<December 11, 2023

Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?”

by Mitch Mosk
Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

by Hannah Burns
beabadoobee & Laufey © 2023
Columns, Music, Today's SongNovember 4, 2023<November 4, 2023

Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember”

by Laurent Chavannes
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongNovember 3, 2023<November 3, 2023

Today’s Song: Wild Nothing Pushes the Limits in Reflective Track “Prima” Off New LP ‘Hold’

by Beau Hayhoe
The Vaughns © Brian Hughes
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Track-by-Track: With ‘Egg Everything,’ The Vaughns Cook Up an Inventive, Impassioned, & Achingly Emotive Sophomore Album

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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