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Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023 Album Premiere: PYNKIE’s ‘Songies’ Is a Dreamy, Sun-Soaked World of Warmth & Wonder by Mitch Mosk
Columns, Music, Today's SongAugust 17, 2023<August 17, 2023 Today’s Song: “Paper Machete” Offers Acerbic Contempt in Three Minutes from Queens of the Stone Age by Adam Davidson
Music, PremieresAugust 17, 2023<August 17, 2023 Premiere: Honeycrush’s “Stars” Is an Intimate Haze of Desperation & Detachment by Mitch Mosk
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Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023 Premiere: Queer Alt-Rock Band LEONE Show Their Full Hand in Sophomore EP ‘GTFOH’ by Nic Nichols
MusicAugust 16, 2023<August 16, 2023 Gently As I Go: Caroline Cotter Premieres Her Intimate, Reflective, & Nostalgic Third Album by Mitch Mosk
Music, PremieresAugust 16, 2023<August 16, 2023 Premiere: Simen Mitled’s Breathtaking Indie Folk Reverie “Five Hundred Days” Aches With the Beauty & Pain of Memory by Mitch Mosk
Columns, Music, Today's SongAugust 16, 2023<August 16, 2023 Today’s Song: L’Impératrice and Cuco’s “Heartquake” Brings the Grooviest Psychedelic Summer Vibes by Julia Dzurillay
Features, Interviews, MusicAugust 15, 2023<August 15, 2023 “The Love Still Held Me Near”: City and Colour’s Dallas Green Talks Loss, Grief, & Love by Mitch Mosk
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Columns, Music, Today's SongAugust 15, 2023<August 24, 2023 Today’s Song: Sharifa’s “BEDROOM LIGHT” Is a Dark, Late Night Fever Dream by Mitch Mosk
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For the Love of Music
For the Love of Music
