Columns, Music, Today's SongDecember 17, 2023<December 15, 2023 Today’s Song: Quinn Sullivan Kicks Off New Era With “Salvation (Make Me Wanna Pray)” by Noah Wade
Music, Podcast, Tunes & TumblersDecember 16, 2023<December 16, 2023 Podcast: Tunes & Tumblers Features Oh Land and the You Soup by Atwood Magazine Staff
Columns, Music, Today's SongDecember 16, 2023<December 15, 2023 Johnny Orlando Ends ‘The Ride’ With “Close to You” & “Thinking of Me,” a Poignant & Vulnerable Production by Lauren Hicks
Columns, Features, Music, Weekly RoundupDecember 15, 2023<December 16, 2023 Atwood Magazine’s Weekly Roundup: December 15, 2023 by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023 Track-by-Track: Firewoodisland Enchant & Inspire on Achingly Intimate EP, ‘As Long As I Go’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023 “Intimate, Vulnerable, & Gay”: Hayfitz Dwells in the Unrequited Depths of ‘Everything Else,’ His Dreamy Sophomore LP by Mitch Mosk
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Features, Interviews, MusicDecember 14, 2023<December 14, 2023 “Clear, Honest, & Deliberate”: Dublin’s milk. Dwell in Identity Crises on Enthralling ‘3, the EP.’ by Mitch Mosk
Columns, Music, Today's SongDecember 14, 2023<December 14, 2023 Today’s Song: Sampha’s Heavenly Vocals Shimmer on the Blissful “Jonathan L. Seagull” Off Sophomore LP ‘Lahai’ by Jake Fewx
Features, Interviews, MusicDecember 14, 2023<January 5, 2024 “An emotional release in every way”: Cold War Kids’ Nathan Willett Reflects on 20 Years of Indie Rock Underdogdom by Mitch Mosk
Interviews, MusicDecember 13, 2023<December 13, 2023 Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’ by Josh Weiner
Features, Interviews, MusicDecember 13, 2023<December 13, 2023 “It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More by Mitch Mosk
Columns, Music, Today's SongDecember 13, 2023<December 13, 2023 Bad Veins Soar in Heartache-Fueled Synth-Pop Singalong “Wendy” & Third LP ‘Imposter’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023 Track-by-Track: Slow Leaves Weaves a Love Letter to Life Itself on 5th LP ‘Meantime,’ a Glistening, Golden Folk Dream by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023 Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’ by Mitch Mosk
For the Love of Music
For the Love of Music
