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Atwood Magazine's 2023 Songs of the Year
Features, Lists, MusicDecember 22, 2023<January 9, 2024

Atwood Magazine’s 2023 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's Mistletones 2023, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Atwood Magazine's Top Artist Discoveries of 2023
Features, Lists, MusicDecember 21, 2023<January 4, 2024

Atwood Magazine’s Top Artist Discoveries of 2023

by Atwood Magazine Staff
TRISHES © Walter Seward
Columns, Music, Today's SongDecember 20, 2023<January 8, 2024

Today’s Song: TRISHES’ Otherworldly “Astrology” Explores a Religious Belief and a Celestial Bond with the Universe

by Chloe Robinson
Sid Simons © Elliott Atkinson
Concerts, EssaysDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

by Noah Berghammer
Truth Club © Walker Bankson
Features, Interviews, MusicDecember 20, 2023<December 20, 2023

Interview: Raleigh’s Truth Club on Genre, Inspiration, & the Spice of Variety

by Guest Writer
Atwood Magazine's Best Shows of 2023
Concerts, Features, Lists, MusicDecember 20, 2023<January 4, 2024

Atwood Magazine’s Best Concerts of 2023!

by Atwood Magazine Staff
Pink Friday 2 - Nicki Minaj © Charlotte Rutherford 8.6
Music, Our Take, ReviewsDecember 19, 2023<December 19, 2023

Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’

by Josh Weiner
Akenya © Leah Wendzinski
Columns, Interviews, Music, Today's SongDecember 19, 2023<December 20, 2023

Interview: Akenya on Self-Mythology, Astrology, and New Single “Hades Moon”

by Mariel Fechik
The Best EPs of 2023!
Features, Lists, MusicDecember 19, 2023<January 7, 2024

The 36 Best EPs of 2023

by Atwood Magazine Staff
Lil Dicky's “Mr. McAdams” music video
Music, Reviews, This Just InDecember 18, 2023<December 18, 2023

Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’

by Mitch Mosk
Kid Prexy © 2023
Columns, Music, Today's SongDecember 18, 2023<December 19, 2023

Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty”

by Grace Holtzclaw
Switchfoot "Christmas" © 2022
Features, Interviews, Mistletones, MusicDecember 18, 2023<January 9, 2025

“Christmas is an emotional treasure chest”: Switchfoot’s Jon Foreman on Finding the Holiday Spirit With ‘this is our Christmas album’

by Mitch Mosk
Joss Stone © Nolan Knight
Features, Interviews, Mistletones, MusicDecember 18, 2023<December 18, 2023

“I can literally smell Christmas is coming”: Joss Stone Wishes All a ‘Merry Christmas, Love’ on Her Classic, Soulful Christmas Album

by Mitch Mosk
Atwood Magazine's Mistletones 2023, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 18, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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