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Tunes & Tumblers x Carter Vail
Music, Podcast, Tunes & TumblersAugust 22, 2023<August 22, 2023

Podcast: Tunes & Tumblers Features Carter Vail and an Interstellar Experience

by Atwood Magazine Staff
Finn Askew © Rosie Matheson
Columns, Music, Today's SongAugust 22, 2023<August 22, 2023

Today’s Song: Finn Askew’s “Used to This” Is Effervescently in Love

by Kelly McCafferty Dorogy
Steve Lacy "Helmet" still
Columns, Music, Today's SongAugust 21, 2023<August 21, 2023

Today’s Song: Steve Lacy’s “Helmet” is an Upbeat Anthem for Calling Things Off & Moving On

by Claire Meyer
VANNER © 2023
Features, Interviews, MusicAugust 21, 2023<August 22, 2023

Interview: K-Pop Group VANNER Discuss Working with Hyungwon of Monsta X, Dreams for the Future, & Breakdown New EP, ‘VENI VIDI VICI’

by Freya Rinaldi
East Nash Grass © Kaitlyn Raitz
Features, Interviews, MusicAugust 21, 2023<August 21, 2023

If Time Were a Lottery Ticket: East Nash Grass’ Maddie Denton on Sophomore Album ‘Last Chance to Win’

by Lauren Hicks
Lilla Sol © Gigi Jones
Features, Interviews, MusicAugust 18, 2023<August 20, 2023

“This is for expansion. It’s for transformation.” An Interview with Lilla Sol

by Guest Writer
Taylor Mecca © 2023
Columns, Music, Today's SongAugust 18, 2023<August 18, 2023

Today’s Song: Taylor Mecca Explores the Intricacies of Getting Older in “growing up sucks”

by Chloe Robinson
Songies - PYNKIE
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Album Premiere: PYNKIE’s ‘Songies’ Is a Dreamy, Sun-Soaked World of Warmth & Wonder

by Mitch Mosk
Queens of the Stone Age © 2023
Columns, Music, Today's SongAugust 17, 2023<August 17, 2023

Today’s Song: “Paper Machete” Offers Acerbic Contempt in Three Minutes from Queens of the Stone Age

by Adam Davidson
Honeycrush © Oliver Covrett
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Honeycrush’s “Stars” Is an Intimate Haze of Desperation & Detachment

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Soda Blonde’s Cinematic “Midnight Show” Is a Passion & Purpose-Driven Anthem for Unapologetic Artists

by Mitch Mosk
LEONE © Jeff Buckholz
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Premiere: Queer Alt-Rock Band LEONE Show Their Full Hand in Sophomore EP ‘GTFOH’

by Nic Nichols
Caroline Cotter © Katherine Emery
MusicAugust 16, 2023<August 16, 2023

Gently As I Go: Caroline Cotter Premieres Her Intimate, Reflective, & Nostalgic Third Album

by Mitch Mosk
Simen Mitlid © 2023
Music, PremieresAugust 16, 2023<August 16, 2023

Premiere: Simen Mitled’s Breathtaking Indie Folk Reverie “Five Hundred Days” Aches With the Beauty & Pain of Memory

by Mitch Mosk
Heartquake - L'Impératrice & Cuco
Columns, Music, Today's SongAugust 16, 2023<August 16, 2023

Today’s Song: L’Impératrice and Cuco’s “Heartquake” Brings the Grooviest Psychedelic Summer Vibes

by Julia Dzurillay
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

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Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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