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PJ Aviles © Steph Estrada
Debut, Music, ReviewsDecember 7, 2023<December 7, 2023

Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album

by Laurent Chavannes
KTJ & CARLY © Lauren Nieves
Columns, Music, Today's SongDecember 7, 2023<December 7, 2023

Today’s Song: KTJ & CARLY Share Their Gracefully Poignant “Sundays”

by Chloe Robinson
Bush © Shervin Lainez
Columns, Music, Today's SongDecember 6, 2023<December 6, 2023

Today’s Song: Bush Unpack Impermanence & the Speed of Life in “Nowhere to Go But Everywhere”

by Mitch Mosk
S. L. Houser © Rae Mascardo
Debut, Interviews, Music, Track-by-TrackDecember 6, 2023<December 6, 2023

Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’

by Marissa DeLeon
Stephen Sanchez 'Angel Face' © Caity Krone
Debut, Features, Interviews, MusicDecember 6, 2023<December 11, 2023

“This record is all about love’s humanity”: Stephen Sanchez Is Making Hopeless Romance Cool Again With ‘Angel Face’

by Mitch Mosk
Emily Afton © 2023
Music, Music Videos, PremieresDecember 6, 2023<December 6, 2023

Video Premiere: Emily Afton’s “Running Out of Time” and the Brutality of Love

by Mitch Mosk
Tim Atlas © Paigge
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Cinematic, Percussive, & Heavy”: Tim Atlas Dives Headfirst into the Night With ‘Le Soir’ EP

by Mitch Mosk
Haux © Sayer Mansfield
Features, Interviews, MusicDecember 5, 2023<December 8, 2023

Interview: Haux Finds His Own “Carte Blanche” in an Embrace of Ethereal Joie de Vivre

by Mitch Mosk
Scatterbrain EP - Emei
Concerts, Music, ReviewsDecember 5, 2023<December 5, 2023

Live Review: Emei Delivers a Powerful & Penetrating Show in Los Angeles on The Cynical Tour

by Chloe Robinson
Kirsten Ludwig © Kristina Dittmar
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Expansive, Oscillatory, & Resplendent”: Kirsten Ludwig Basks in the Glow of ‘Sunbeam,’ Her Radiant Indie Pop Reverie

by Mitch Mosk
Ella Rosa © 2023
Interviews, MusicDecember 5, 2023<December 5, 2023

Interview: Ella Rosa Admits To Being OTT When It Comes to PDA

by Joe Beer
HUNNY BUZZ © 2023
Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023

Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound

by Mitch Mosk
Armand Hammer © Alexander Richter
Columns, Music, Today's SongDecember 4, 2023<December 4, 2023

Today’s Song: Armand Hammer Weave Hip-Hop Tapestry on “When It Doesn’t Start With a Kiss”

by Jake Fewx
Rebecca Lappa © Lorraine Mortensen
Interviews, MusicDecember 4, 2023<December 4, 2023

Interview: Alberta Native Rebecca Lappa Transports Us to the Snowy North on ‘Tales of a Taurus’

by Josh Weiner
Taylor Swift’s ‘1989 (Taylor’s Version)’ cover art
Music, ReviewsDecember 4, 2023<December 4, 2023

Review: Taylor Swift’s ‘1989 (Taylor’s Version)’ Is a Swiftie’s Wildest Dreams

by Guest Writer
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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