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The Vaccines 'Pick-Up Full of Pink Carnations' © Wrenne Evans
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: The Vaccines’ Justin Young on the Space Between Reality & Expectation in ‘Pick-Up Full of Pink Carnations’

by Guest Writer
Why Does Love Mean Loss? EP - Slaney Bay
Features, Interviews, MusicJanuary 9, 2024<January 9, 2024

Interview: London’s Slaney Bay Embrace the Highs & Lows of Human Experience in ‘Why Does Love Mean Loss?’ EP

by Mitch Mosk
Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

by Sofia Sar
Ratboys © Alexa Viscius
Interviews, MusicJanuary 8, 2024<January 8, 2024

Interview: Meet Ratboys, a Chicago Band Standing at ‘The Window’ of Opportunity

by Josh Weiner
Wisp © courtesy of the artist
Artist to Watch, Columns, Debut, Music, Today's SongJanuary 8, 2024<January 8, 2024

Artist to Watch: Wisp Delivers Shiver-Inducing Shoegaze With a Tender, Loving Twist in “Once then we’ll be free”

by Mitch Mosk
Dhani Harrison collage © Aidan Moyer
Features, Interviews, MusicJanuary 7, 2024<January 8, 2024

The River Flows At Its Own Speed: An Interview With Dhani Harrison

by Aidan Moyer
Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

by Hannah Burns
Danny Dwyer © Noah Talas
Columns, Music, Today's SongJanuary 6, 2024<January 5, 2024

Today’s Song: Danny Dwyer’s “Asthma” (Billy Lemos Remix) Is a Celebration of Life & Friendship

by Eric Schuster
Diego Morales
Columns, Meet Our WritersJanuary 6, 2024<February 4, 2024

Meet Our Writers: Mexico City’s Diego Morales!

by Diego Morales
B-Drop
Music, PremieresJanuary 5, 2024<January 5, 2024

Premiere: B-Drop Worldwide Showcases Pool Surfers & Wingtip

by Mitch Mosk
Vinnie Paolizzi © Kurt Ozan
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024

Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP

by Lauren Hicks
Corridors - Donna Lewis © 2024
Columns, Music, Today's SongJanuary 5, 2024<January 4, 2024

Today’s Song: Donna Lewis Unveils Her Radiant & Remarkable “Corridors” With Holmes Ives

by Chloe Robinson
Atwood Magazine's 2023 Albums of the Year
Features, Lists, MusicJanuary 3, 2024<January 4, 2024

Atwood Magazine’s 2023 Albums of the Year

by Atwood Magazine Staff
Jack Harlow © Cian Moore
Columns, Music, Today's SongJanuary 3, 2024<January 3, 2024

Today’s Song: Jack Harlow’s “Lovin on Me” Has Roots Tied Down in Detroit

by Guest Writer
Another Christmas Album - Amerigo Gazaway
Interviews, Mistletones, MusicDecember 22, 2023<December 22, 2023

Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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