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Benét
Features, Interviews, MusicAugust 24, 2023<August 24, 2023

Intimate, Candid, & Provocative: Benét Talks Vulnerability & Making of Debut Album ‘Can I go again?’

by Mitch Mosk
Laura Zarougian
Music, PremieresAugust 24, 2023<August 24, 2023

“Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm

by Mitch Mosk
Peter Wise © 2023
Interviews, MusicAugust 24, 2023<August 24, 2023

Interview: Peter Wise Embraces New Beginnings in “Only Gotta Start”

by Joe Beer
Bruno Major © Neil Krug
Features, Interviews, MusicAugust 24, 2023<August 24, 2023

The Diary of an Explosion: Bruno Major Dives into His “Most Vulnerable Album,” ‘Columbo’

by Minna Abdel-Gawad
Jai Wolf & BANKS © 2023
Columns, Music, Today's SongAugust 24, 2023<August 24, 2023

Today’s Song: Jai Wolf & BANKS’ “Don’t Look Down” Seeks to Give Comfort About the Fears of Overthinking

by Jada Moore
Course © Savannah Scruggs
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings”

by Mitch Mosk
Hayley Reardon "Enough Is Everything" still © Blake Z. Larson
Music, PremieresAugust 23, 2023<August 23, 2023

“I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything”

by Mitch Mosk
Mega Ran © Jeff Moses
Music, Music Videos, PremieresAugust 23, 2023<February 1, 2024

Premiere: Mega Ran’s “Gimme the Fruit” (ft. Whitney Peyton) Is Sweet, Fun, & Certified Fresh

by Mitch Mosk
supergloom © Laura Moreau
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: supergloom’s Fever Dream “Glass Ajar” Is a Cathartic Release of Energy & Emotion

by Mitch Mosk
Jaehyun © SM Entertainment
Columns, Music, Today's SongAugust 23, 2023<August 23, 2023

Today’s Song: NCT’s Jaehyun Beams with Summer Delight & Joie de Vivre on “Horizon”

by Isabella Le
The Vaughns © Brian Hughes
Music, Music Videos, PremieresAugust 23, 2023<August 22, 2023

Premiere: The Vaughns Take It “Day By Day” in a Cathartic, Soul-Stirring Song of Grief, Love, & Cancer

by Mitch Mosk
Joh Chase © Shervin Lainez
Music, Music Videos, PremieresAugust 22, 2023<August 22, 2023

Premiere: The Raw Vulnerability & Aching Intimacy of Joh Chase’s “Risking It With You”

by Mitch Mosk
Evergreen - PVRIS 8.9
Music, Our Take, ReviewsAugust 22, 2023<August 22, 2023

Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’

by Marissa DeLeon
Gigantic NGHTMRE © Jason Siegel
Features, Interviews, MusicAugust 22, 2023<August 22, 2023

Interview: EDM Supergroup Gigantic NGHTMRE Talk Debut EP, Collaboration, & Denver’s Status as the Bass Music Capital

by Nick Polak
Elle Baez © 2023
Editorials, MusicAugust 22, 2023<August 22, 2023

“A Fire That Won’t Die”: An Essay by Elle Baez

by Guest Writer
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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