Features, Interviews, MusicDecember 17, 2025<December 17, 2025 “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ by Rachel Leong
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025 “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ by Mitch Mosk
Columns, Music, Today's SongDecember 17, 2025<December 17, 2025 Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” by Chloe Robinson
Debut, Features, Interviews, MusicDecember 16, 2025<December 18, 2025 “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ by Isabella Le
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025 “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” by Mitch Mosk
Columns, Editor's Picks, Features, MusicDecember 15, 2025<December 15, 2025 Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! by Mitch Mosk
Features, Lists, MusicDecember 15, 2025<December 15, 2025 Atwood Magazine’s Top Artist Discoveries of 2025 by Atwood Magazine Staff
Interviews, Music, Today's SongDecember 15, 2025<December 15, 2025 “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” by Mitch Mosk
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025 “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession by Mitch Mosk
Columns, Music, Today's SongDecember 13, 2025<December 12, 2025 “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ by Ashley Littlefield
Essays, Features, MusicDecember 12, 2025<March 2, 2026 Tales from the Garden: Seven Lions Is Making and Breaking the Formula by Jack Batt
Concerts, Features, Lists, MusicDecember 12, 2025<December 12, 2025 Atwood Magazine’s Best Concerts of 2025! by Atwood Magazine Staff
Debut, Interviews, MusicDecember 12, 2025<December 13, 2025 Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy by Kelly McCafferty Dorogy
Columns, Interviews, Music, Today's SongDecember 12, 2025<December 12, 2025 “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth by Mitch Mosk
Music, PremieresDecember 11, 2025<December 11, 2025 “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance by Mitch Mosk
For the Love of Music
For the Love of Music
