• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Hanne Mjøen © 2023
Music, ReviewsJuly 10, 2023<July 10, 2023

Track-by-Track: Hanne Mjøen Sings of Love’s Trials & Tribulations in ‘Fall in Love / Apart’ EP

by Joe Beer
Kevin Gates © Jimmy Fontaine
Interviews, MusicJuly 10, 2023<July 10, 2023

Interview: Two Questions with Kevin Gates, the Man Behind the Hit Song, “Two Phones”

by Nick Polak
Liz Phair’s ‘Exile in Guyville,’ 30 Years Later
Editorials, Music, ReviewsJuly 10, 2023<July 10, 2023

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later

by Claire Meyer
Hanne Kah © 2023
Columns, Editorials, Music, Pride MonthJuly 10, 2023<July 10, 2023

“Why Role Models are Crucial in the Queer Community”: A Pride Month Essay by Hanne Kah

by Guest Writer
Atwood Magazine's Weekly Roundup | July 7, 2023
Columns, Features, Music, Weekly RoundupJuly 7, 2023<July 7, 2023

Atwood Magazine’s Weekly Roundup: July 7, 2023

by Atwood Magazine Staff
Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

by Josh Weiner
Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

by Mitch Mosk
Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

by Mitch Mosk
Noel Gallagher © Matt Crockett
Music, ReviewsJuly 7, 2023<July 7, 2023

Review: ‘Council Skies’ Is a Soaring Exploration of Talent From Noel Gallagher’s High Flying Birds

by Brianna Corrine
Portugal. The Man © Michael Greco
MusicJuly 6, 2023<July 6, 2023

Festival Review: Tennessee Heat Boils Over at Bonnaroo 2023

by Michael Greco
KTJ & CARLY © Joseph Lee
Features, Interviews, MusicJuly 6, 2023<July 6, 2023

Interview: KTJ & CARLY’s New EP ‘NUKETOWN’ Explores Life’s Musical Explosions

by Julius Robinson
Indigo De Souza © Angella Chloe 9.6
Music, Our Take, ReviewsJuly 6, 2023<July 6, 2023

Our Take: Indigo De Souza Reaches Enlightenment in ‘All of This Will End’

by Nic Nichols
Eliza Elliott © Katie Kutchmire
Columns, Music, Today's SongJuly 6, 2023<July 6, 2023

Today’s Song: The Warm Glow of Eliza Elliott’s Vulnerable, Visceral, & Vivid “Live in My Brain”

by Mitch Mosk
Sea Lemon © Eleanor Petry
Columns, Today's SongJuly 5, 2023<July 5, 2023

Today’s Song: Sea Lemon’s “Cellar” and the Fear of Being Human

by Dimitra Gurduiala
Tunes and Tumblers x Fourth of July Roundtable!
Music, Podcast, Tunes & TumblersJuly 4, 2023<July 12, 2023

Podcast: Tunes & Tumblers’ Fourth of July Roundtable!

by Atwood Magazine Staff
Posts pagination
1 … 165 166 167 168 169 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services