Columns, Music, Today's SongSeptember 16, 2023<September 20, 2023 Today’s Song: King Princess’ “Let Us Die” Is a Love Song About Letting Go by Eric Schuster
Columns, Features, Music, Weekly RoundupSeptember 15, 2023<September 16, 2023 Atwood Magazine’s Weekly Roundup: September 15, 2023 by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 15, 2023 Track-by-Track: Austin’s Briscoe Debut ‘West of It All’ With Warm Folk Rock Wonder & Spirited Passion by Mitch Mosk
Columns, Music, Today's SongSeptember 15, 2023<September 15, 2023 Today’s Song: Opening a Time Capsule for Love in Anabella Paige’s “This I Miss” by Lauren Hicks
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 19, 2023 “Sad Girly Triumph”: The Beaches Go Track-By-Track Through ‘Blame My Ex,’ Their Anthemic & Aching Sophomore LP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023 Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction by Mitch Mosk
Features, Interviews, MusicSeptember 14, 2023<September 14, 2023 Interview: K.Flay Reflects on Her Triumphant New Album, ‘MONO’ by Michael Greco
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023 Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment by Mitch Mosk
Columns, Music, Today's SongSeptember 14, 2023<September 14, 2023 Sydney Sprague’s “Smiley Face” and a Sprightly Stroll Through the Meadows of Feigned Emotions by Guest Writer
Debut, Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023 “A Love Letter to Myself”: Melbourne’s Winten Dives into Her Breathtaking Debut Album ‘Waving to My Girl’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023 Feature: Scotch Mist’s ‘Cabo Blanco’ Is a Sweaty & Seductive Fever Dream of 21st Century Funk by Mitch Mosk
Music, PremieresSeptember 13, 2023<September 13, 2023 Premiere: Buxton’s “Mane of Gold” Shines With the Weight, Warmth, & Western Wonder of ‘A Family Light’ by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2023<March 29, 2024 Interview: Ben Howard Talks New Record ‘Is It?,’ Mini-Strokes, & Italian Novelists by Sam Franzini
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023 Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm by Mitch Mosk
Features, Interviews, MusicSeptember 12, 2023<October 26, 2023 Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian by Kate Millar
For the Love of Music
For the Love of Music
