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Lily Meola "Never Kissed a Cowboy" © Forrest Dein
Interviews, MusicJanuary 30, 2026<January 30, 2026

“All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy”

by Aileen Goos
Bruce Springsteen "Streets of Minneapolis" © 2026
Features, Music, Today's SongJanuary 30, 2026<January 29, 2026

“Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History

by Atwood Magazine Staff
The Dears © Richmond Lam
Interviews, MusicJanuary 29, 2026<March 9, 2026

Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens

by Damien Joyce
Light Bird © Christina Visconti
Debut, Music, PremieresJanuary 29, 2026<January 29, 2026

“You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge”

by Mitch Mosk
Elijah Wolf © courtesy of the artist
Interviews, Music, Today's SongJanuary 29, 2026<January 29, 2026

“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home

by Mitch Mosk
Michael Marcagi is a Midwest Kid © Jimmy Fontaine
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026

“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’

by Mitch Mosk
Alice Merton 'Visions' © Elias Köhler
Features, Interviews, MusicJanuary 28, 2026<January 28, 2026

“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album

by Mitch Mosk
Tony DV © Alex Kennedy
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026

“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too

by Mitch Mosk
Spanish Love Songs © Hannah Gray Hall
Features, Interviews, MusicJanuary 27, 2026<February 11, 2026

“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It

by Mitch Mosk
Cormac "Defenceless" © Tracy Steele Photography
Columns, Music, Today's SongJanuary 27, 2026<January 27, 2026

“Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless”

by Joe Beer
Front Row Salvation © Mike Walli
Essays, MusicJanuary 27, 2026<January 27, 2026

Essay: Front Row Salvation

by Guest Writer
Arkayla 'DON'T LOOK FOR ANSWERS' © 2026
Interviews, MusicJanuary 26, 2026<January 26, 2026

From School Corridors to Iconic Venues: Arkayla’s Takeover of Manchester’s Music Scene

by Aileen Goos
FORAGER © Isabelle Zhao
Artist to Watch, Interviews, Music, Today's SongJanuary 26, 2026<January 26, 2026

“The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream

by Mitch Mosk
Self Proclaimed Narcissist "New Man" © 2026
Columns, Music, Today's SongJanuary 24, 2026<January 24, 2026

Self Proclaimed Narcissist’s “New Man” Shines Through the Mystery

by Danielle Holian
Henry Grace with band members Brian Love (guitar), Toby Evangelou (drums), Blaine Harrison (keys), and Tom Holder (bass) © Jess Bibby
Features, Interviews, Music, Track-by-TrackJanuary 23, 2026<January 23, 2026

“Things Are Moving All Around Me”: Henry Grace Lets the Songs Breathe on His Warm & Weathered Sophomore Album

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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