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Demi Lovato © Daniel Sachon
Columns, Music, Today's SongAugust 4, 2025<August 4, 2025

Demi Lovato Races into a Pop Reawakening Era “Fast,” Fierce, and Free

by Danielle Holian
Jamie xx © Laura Jane Coulson
Columns, Music, Today's SongAugust 2, 2025<August 2, 2025

Today’s Song: Jamie xx Leaks Light into a “Dream Night” on His Latest Single

by Ashley Littlefield
Chappell Roan "The Subway" © Ryan Lee Clemens
Music, Reviews, This Just InAugust 1, 2025<August 1, 2025

This Just In: Chappell Roan’s Queer Heartbreak Anthem “The Subway” Was Well Worth the Wait

by Marc Maleri
Djo 'The Crux' album art
Features, Music, Reviews, RoundtableAugust 1, 2025<August 1, 2025

Roundtable Discussion: A Review of Djo’s ‘The Crux’

by Atwood Magazine Staff
Sydney Sprague © Ellie Carty
Features, Interviews, MusicAugust 1, 2025<August 1, 2025

“I’m Just a Person with a Lot of Feelings”: Sydney Sprague on Channeling Emotional Extremes into Indie Rock Catharsis

by Mitch Mosk
Hudson Westbrook 'Texas Forever' © Ian Noh
Debut, Features, Interviews, MusicAugust 1, 2025<August 1, 2025

Feature: Hudson Westbrook’s Bold Debut ‘Texas Forever’ Offers 17 Songs That Prove He’s Here to Stay

by Aileen Goos
OSHEAGA 2024 © Susan Moss
Festival, Music, PreviewAugust 1, 2025<August 1, 2025

Festival Preview: Osheaga 2025 Promises to Be a Festival Like No Other – and Atwood Has You Covered

by Oliver Crook
Dane Baker © 2025
Columns, Music, Today's SongAugust 1, 2025<August 1, 2025

“Growth, Affirmation, & Fulfillment”: Dane Baker’s “Ascension” Urges a Look Inward to Find Happiness

by Adam Davidson
Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

by Mitch Mosk
Lollapalooza 2025 © Ismael Quintanilla III
Festival, Music, PreviewsJuly 31, 2025<July 31, 2025

Preview: Lollapalooza 2025 Ends the Summer Off Right With an Unforgettable Lineup

by Miranda Urbanczyk
The Fray "My Heart's a Crowded Room" © Robby Klein
Features, Interviews, MusicJuly 31, 2025<July 31, 2025

Feature: The Fray Reminisce on 20 Years of ‘How to Save a Life’ While Entering a New Era of Music

by Lauren Turner
Charlotte OC © Stewart Baxter
Columns, Music, Today's SongJuly 31, 2025<July 31, 2025

Today’s Song: Charlotte OC Lights Up the Ashes on “Cider and Black”

by Marvin Twiggs
CLOVER "My Kind of Woman" © Caley Senters
Music, Music Videos, PremieresJuly 30, 2025<July 30, 2025

“I’m not afraid to be my kind of woman”: CLOVER Premieres Her Bold, Beautiful, and Unapologetic Celebration of Feminine Power & Truth

by Mitch Mosk
Winnetka Bowling League © Heather Saitz
Features, Interviews, MusicJuly 30, 2025<July 30, 2025

“Wait ‘Til You See My Next Trick”: Winnetka Bowling League’s Matthew Koma Is Ready to Rock Lollapalooza – and Make More Songs

by Mitch Mosk
Pretoria © Brady Olson
Interviews, Music, Track-by-TrackJuly 30, 2025<July 30, 2025

Track-by-Track: Pretoria Are Living Out Loud on ‘If We’re Pretending,’ an EP of Change, Authenticity, & the Art of Letting Go

by Miranda Urbanczyk
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Brand New

  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”

:: discover something new ::

Recent Posts

  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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