Columns, Features, Music, Weekly RoundupJanuary 23, 2026<January 23, 2026 Atwood Magazine’s Weekly Roundup: January 23, 2026 by Atwood Magazine Staff
Columns, Music, Today's SongJanuary 23, 2026<January 22, 2026 “Letting Go of Nothing”: The Format Give Us Something to Believe in on “Boycott Heaven,” an Indie Rock Anthem for a Broken Present by Mitch Mosk
Columns, Editor's Picks, Features, MusicJanuary 22, 2026<January 22, 2026 Editor’s Picks 144: The Format, Elijah Wolf, mer marcum & Jia*, Samm Henshaw, Katie Tupper, & Yumi Zouma! by Mitch Mosk
Artist to Watch, Interviews, Music, Music Videos, Today's SongJanuary 22, 2026<January 22, 2026 “I Won’t Have 20teens in My Bed”: Blessing Jolie Chooses Herself and Draws Hard Lines on Breakout Hit “20teens” by Mitch Mosk
Music, Music Videos, PremieresJanuary 22, 2026<January 22, 2026 “I’ll Make It Loud So You Can Hear”: Jasmine Power Takes a Bold, Radiant “Leap” of Faith on Her Invigorating New Single by Mitch Mosk
Interviews, Music, PremieresJanuary 22, 2026<January 23, 2026 “Mysterious and Wild”: Morenike Slips into the Night on Her Seductive Second Single, a Spellbinding Descent into Desire, Illusion, & Becoming by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 21, 2026<January 21, 2026 “That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’ by Mitch Mosk
Debut, Features, Music, ReviewsJanuary 21, 2026<January 23, 2026 “Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love by Mitch Mosk
Features, Interviews, MusicJanuary 21, 2026<January 26, 2026 Into Eternity: Searows Talks Abstraction and Artistic Growth on ‘Death in the Business of Whaling’ by Nasim Elyasi
Columns, Music, Today's SongJanuary 21, 2026<January 21, 2026 “Maybe you’re always seventeen in your hometown”: Sydney Ross Mitchell’s “Queen of Homecoming” Captures the Bittersweet Ache of Belonging by Nicolle Knapová
Features, Interviews, MusicJanuary 20, 2026<January 26, 2026 Social Order Are Pushing Darkwave Post-Punk Forward Without Apology by Mitch Mosk
Music, ReviewsJanuary 20, 2026<January 20, 2026 “Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’ by Hannah Burns
Music, Music Videos, PremieresJanuary 20, 2026<January 20, 2026 “You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation” by Mitch Mosk
Interviews, Music, Today's SongJanuary 20, 2026<January 20, 2026 “Teenage me would be like, ‘This is sick!’”: Fake Dad Embrace the Weird on “Science Fiction” and a Breakout Year by Aileen Goos
Columns, Music, Today's SongJanuary 19, 2026<January 18, 2026 Hilary Duff Isn’t Your “Roommate” – She’s Your Wake-Up Call by Danielle Holian
For the Love of Music
For the Love of Music
